Wendy Perron sits down with Complexions Contemporary Ballet founding artistic director Dwight Rhoden to talk the origins of the company, William Forsythe’s role in his career and why Russian audiences love his work.    

Fewer choreographers are hiring from auditions. So what’s the best way to secure work? Casey Loomis (fourth from right) took three intensives and auditioned twice before Doug Varone hired her. Photo by Jim Coleman, courtesy Varone. The idea of networking can send dancers into a panic. You’re not sure how to do it, what to […]