Dancers Trending
Jin Zhang, Erica Lall and Betsy McBride in Swan Lake. Rosalie O'Connor, Courtesy American Ballet Theatre

Erica Lall, a member of American Ballet Theatre's corps de ballet, accomplished an impressive feat this spring: she danced in every single one of ABT's spring Metropolitan Opera House season performances. That's 64 shows—actually, as Lall notes, "it would technically be 69 shows at the Met," since she performed in all of the ABTKids performances as well.

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Dancer Voices
Outtakes from Dance Magazine cover shoots, shot by Nathan Sayers, Jayme Thornton and Quinn Wharton

It's that time again: Everyone's looking at the year to come and thinking about what they might want to get out of it.

So we asked our cover stars from Dance Magazine's 2018 issues what they're hoping for. Their answers spanned everything from more growth and more touring, to more family time and more rest.

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What Dancers Eat
Dancers often make the best chefs. Photo by Quinn Wharton

Tired of the typical turkey and stuffing? For Thanksgiving this year, try something different with these personal recipes that dancers have shared with Dance Magazine. The ingredients are packed with dancer-friendly nutrients to help you recover from rehearsals and fuel up for the holiday performances ahead.

If anyone raises an eyebrow at your unconventional choices, just remind them that dancers are allowed to take some artistic license!

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What Dancers Eat
American Ballet Theatre corps dancer Erica Lall.

American Ballet Theatre corps de ballet dancer Erica Lall spends most of her day in the studio rehearsing with choreographers like Alexei Ratmansky and Michelle Dorrance. But when she's not in the studio or on stage, this "25 to Watch" dancer is home making her family's Jamaican Curry Chicken.

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25 to Watch
Erica Lall and Leal Zielińska, two of our 2018 "25 to Watch." Photo by Nathan Sayers

By now, you're probably as obsessed with the artists on our 2018 "25 to Watch" list as we are. But how do we decide who makes it? One answer is: carefully. Another: It's a long, long process.

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25 to Watch
Photo by Nathan Sayers

Erica Lall credits her tap dancing for the musical sensitivity of her American Ballet Theatre performances. From a wili in Giselle ("I love petit allégro," she says) to a soloist in Marcelo Gomes' contemporary AfterEffect, Lall deftly accents a striking range of choreography. Precise and expressive, she floats on the music, never overstressing the beat. As a Porcelain Princess in Alexei Ratmansky's staging of Aurora's Wedding last spring, she mastered the variation's minute, detailed movements and relentless pointework with a delicate, doll-like charm.

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