The 4 Life Lessons Balanchine Taught His Male Dancers

After 50 years, George Balanchine’s New York City Ballet male dancers—Jacques d’Amboise, Edward Villella and Arthur Mitchell—were reunited. The one-night-only event at the National Dance Institute in New York City (founded by d’Amboise in 1976) provided a rare glimpse of what it was like to work with Mr. B. during ballet’s golden years at NYCB. […]

This Pennsylvania Ballet Apprentice Landed a Principal Role in The Nutcracker

Pennsylvania Ballet apprentice Sydney Dolan is having a Nutcracker season she’ll never forget. Artistic director Angel Corella knew he’d found something special when Dolan attended his school’s week-long Company Experience summer workshop in 2016. Within days, he offered her a company contract— without realizing that she was only 15 at the time. She joined anyway. […]

Dance Magazine Award Honoree: Marika Molnar

Since George Balanchine first asked her to care for his dancers in the 1980s, Marika Molnar has helped heal icons as varied as Merce Cunningham, Trisha Brown, Natalia Makarova, Judith Jamison, Twyla Tharp, Chita Rivera and Mikhail Baryshnikov. Some patients call her their guardian angel. “Marika has always answered all my (sometimes ridiculous) questions with […]

5 Reasons We'll Miss NYCB Principal Rebecca Krohn

This Saturday night, New York City Ballet principal Rebecca Krohn is performing for the last time, in Balanchine’s Stravinsky Violin Concerto. After 19 years at the company, she’s transitioning into a ballet master role. As she told Playbill, she’s incredibly grateful for the coaching she’s received during her career, and now she wants to give […]

#tbt: Tanny Le Clercq, and Balanchine's Musings on Mortality

In the October 1957 issue of Dance Magazine, we received the latest updates on New York City Ballet dancer Tanaquil Le Clercq’s health nearly a year after her polio diagnosis. Le Clercq, who at the time was George Balanchine’s wife and muse, had become immobile from the waist down and was taken to a rehabilitation […]

Choreography's Constantly Shifting Role on Broadway

I first got hooked on Broadway musicals as a preteen at Gypsy, with its tapping moppets, gyrating burlesque queens and Tulsa, the dancing heartthrob. I’ve been going ever since, but Dance Magazine has been at it even longer. The 1926-27 Broadway season was just ending when DM began publication, and of its 200-plus shows, dozens […]

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