For a young dancer, a job as a convention assistant can be career-making. As you travel and demonstrate alongside your favorite teachers, you have the chance to show top choreographers you're hire-worthy, actively build professional skills, and gain access to classes and connections that are truly priceless. That's why conventions are looking for the cream of the crop to fill these coveted roles on the convention circuit.
Of course, some conventions only award assistantships as part of title wins. But there are other ways to land the job—if you have versatility, maturity, charisma and a good amount of patience.
What do Fred Astaire, Pina Bausch and Misty Copeland have in common? They are all part of one of the most prestigious groups in dance: the Dance Magazine Award recipients. A tradition that dates back to 1954, the Dance Magazine Awards celebrate the living legends who have made a lasting impact on our field.
Today, we are thrilled to announce the four honorees for 2017:
Rennie Harris' Lifted. Photo by Brian Mengini, courtesy Harris
Dance Magazine reached out to us with the questions: Over the years, how has increased acceptance and visibility on concert-dance stages affected hip hop and its artists? And how has hip hop influenced concert dance?
Our response? Whoa! Acceptance? Visibility? Immediately we knew that any conscientious attempt to unpack these questions would easily exceed the maximum word count. But we also acknowledged that questions like these affect what we do as dancemakers and artist-citizens.
So we interviewed our colleague Nicole Klaymoon and mentor Rennie Harris to contribute to a conversation. We are all multilingual dance artists with our own unique voices in hip hop and street-dance theater. We are from different backgrounds and generations whose work is presented as concert dance and builds on the groundwork of Rennie Harris Puremovement.
Amy O'Neal's Opposing Forces. Photo by Bruce Clayton Tom, courtesy O'Neal