Choreographer David Dorfman on Magical Risk and Radical Empathy
Dorfman spoke about the importance of listening and witnessing in the leadup to his company’s shows at Jacob’s Pillow.
Dorfman spoke about the importance of listening and witnessing in the leadup to his company’s shows at Jacob’s Pillow.
While much of the dance world converges on summer festivals throughout July and August, there’s still noteworthy programming happening outside those hubs.
Summer dance festival season is heating up across the country—and the pond.
It’s impossible to chart the rise of hip hop without coming across Ana “Rokafella” Garcia and Gabriel “Kwikstep” Dionisio.
Mentorship amongst choreographers is nothing new: Jose Limón had Doris Humphrey, and Alvin Ailey had Lester Horton. But in a career where there is often scarce training (most college programs still primarily train dancers, not choreographers, for instance) and that can be competitive and isolating, mentorship opportunities that are formalized rather than happenstance are becoming increasingly needed.
When deciding where to spend your summer, you may have one goal in mind: Which program is going to get me closest to the career path of my dreams? But the impact that summer study programs can have is wide-ranging—and sometimes surprising.
Remembering award-winning dancer, director, choreographer and teacher Chet Walker, an expert in the work of Bob Fosse.
In his current position as director of preservation, he oversees exhibitions, the growing online resource Jacob’s Pillow Dance Interactive, PillowTalks, pre- and post-show lectures, and film programs. Owen describes his motto as having “one eye looking backward and one eye on what’s happening currently.”
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