Unrestricted grants—those not tied to a specific project or commission—are the holy grail of dance funding. But how do dance artists accustomed to living from project to project handle the sudden influx of capital? We asked three choreographers who’ve won these grants multiple times about their experiences. Kyle Abraham Kyle Abraham has used the money […]

Behind every virtuosic performance, there is a quiet group of champions. Private patrons are critical to the success of American dance companies. Most large troupes only generate about half of their operating budget from ticket sales, while smaller companies recoup only a fraction. In a country with minuscule government funds allocated to the arts, individual […]