Young woman standing out, stationary in motion blurred crowd

Op-Ed: Should Dancers Say Yes to Every Opportunity?

The reality of a dancer’s life is often more complicated than what we imagined as young students. We must become not just powerful artists but also skilled marketers, social media managers, and self-care experts. This, coupled with the need to pay rent and buy food, can create a heavy schedule of work and art. Time […]

A red velvet stage curtain

Op-Ed: ​​How to Save a Doomed Geisha

The UK’s The Spectator recently published a piece by the Japan specialist Lesley Downer, historical consultant for the Northern Ballet’s 2020 production Geisha. In her essay, Downer wonders why claims of cultural appropriation so dramatically affected the reception of the work, which has not been remounted since its premiere. You can hear her frustration as […]

a group of people sitting around a table with laptops and notebooks

Op-Ed: Why Financial Transparency Is Vital for the Dance Field’s Health

To date, 19 of the largest 50 ballet companies in the U.S. have placed their most recent federal returns online. This is a great first step, one that other companies should implement as soon as possible. Those in dance leadership positions are also in dire need of basic education around their obligations to the community. In return for not paying taxes, a duty of disclosure is beyond expected—it’s mandated.

Op-Ed: In the #MeToo Era, Every Word Matters. Including “Fuzzy.”

On Monday, The New York Times broke a story about ballet that was quickly picked up by other national and international news outlets. Peter Martins, longtime ballet master in chief of New York City Ballet and head of the faculty of the School of American Ballet, has been accused of sexual harassment in an anonymous […]

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