Health & Body
Sara Mearns in the gym. Photo by Kyle Froman.

New York City Ballet principal Sara Mearns wasn't sure she was strong enough. A ballerina who has danced many demanding full-length and contemporary roles, she was about to push herself physically more than she thought was possible.

"I said, 'I can't. My body won't,' " she says. "He told me, 'Yes, it will.' "

She wasn't working with a ballet coach, but with personal trainer Joel Prouty, who was asking her to do squats with a heavier barbell than she'd ever used.

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The Creative Process
Mearns with Jodi Melnick. Photo by Christopher Duggan, Courtesy Jacob's Pillow

Sara Mearns is no longer just a ballerina. Since first stepping outside of New York City Ballet with downtown dancemaker Jodi Melnick in 2015, she's expanded her rep in some surprising directions.

She's taken on classic modern techniques like Graham, Cunningham and Duncan. She's created new work with hip-hop duo Wang Ramirez and contemporary choreographers Pam Tanowitz and Liz Gerring. She's even done musical theater with a starring role in I Married an Angel, choreographed by her husband, Joshua Bergasse. In the process, she's become a pro at becoming a beginner again.

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Popular
(From left) Gonzalo Garcia, Sara Mearns, Isabella Boylston, and Calvin Royal III in Ezra Hurwitz's "Mobile Devices," courtesy Ezra Hurwitz

Apple—continuing their sensational streak of genius dance collabs—has done it again, with a sleek promo video for the new iPhone that features the ballet world's best and brightest.

The beautiful short film, titled "Mobile Devices" (we see what they did there!), is directed by former Miami City Ballet dancer Ezra Hurwitz. It follows a day in the life of American Ballet Theatre soloist Calvin Royal III and New York City Ballet principal Sara Mearns, and also includes appearances by NYCB principal Gonzalo Garcia and ABT principal Isabella Boylston. "I wanted to showcase the experience of an African American male ballet dancer alongside the more traditionally featured white female ballerina," says Hurwitz, who frequently collaborates with stars of the dance world. "That said, I also wanted to keep it fun and visually driven, and make it a real celebration of these dancers' artistry, athleticism and determination."

The whimsical film is believe it or not, entirely shot on the new iPhone 11 Pro Max. Hurwitz was one of the first artists to try out the new phone last month. "What better way to showcase its capabilities than with the world's greatest dancers?" he says.

Watch the full film below:

Dance Magazine Awards
Clockwise from top left: Angel Corella photo by Arian Molina Soca, courtesy Pennsylvania Ballet. David Gordon and Valda Setterfield photo by Luc Delahaye, Courtesy Gordon and Setterfield. Sara Mearns photo by Paul Kolnik, Courtesy NYCB. Masazumi Chaya photo by Paul Kolnik, Courtesy Ailey

The 2019 Dance Magazine Awards are here! A tradition dating back to 1954, the Dance Magazine Awards have long celebrated living legends who've made a lasting impact on dance. These days, we go even further with our recently added Chairman's Award for distinctive leaders behind the scenes, and Harkness Promise Awards, a grant for innovative young choreographers.

So who's included among this year's honorees?

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Site Network
Suzanne Farrell works with Sara Mearns during a rehearsal of George Balanchine's "Diamonds." Rosalie O'Connor, Courtesy NYCB.

In a large practice studio inside Lincoln Center's Koch Theater, Suzanne Farrell watches quietly as New York City Ballet principals Sara Mearns and Russell Janzen work through a series of supported poses. As Janzen kneels to face her, Mearns brushes through to croisé arabesque, extending her leg high behind her. "I wouldn't penché there," says Farrell, gently. "You can, but I wouldn't."

"I get so excited here," says Mearns with a laugh. The three are slowly working through the pas de deux of "Diamonds," the ballet George Balanchine created on Farrell and Jacques D'Amboise in 1967 that makes up the third act of his full-length Jewels.

"I know," Farrell says. "But it's more exciting if the arabesque turn afterwards is sustained."

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Dancers Trending
Suzanne Farrell rehearses Sara Mearns in George Balanchine's "Diamonds." Rosalie O'Connor, Courtesy NYCB.

In a large practice studio inside Lincoln Center's Koch Theater, Suzanne Farrell watches quietly as New York City Ballet principals Sara Mearns and Russell Janzen work through a series of supported poses. As Janzen kneels to face her, Mearns brushes through to croisé arabesque, extending her leg high behind her. "I wouldn't penché there," says Farrell, gently. "You can, but I wouldn't."

"I get so excited here," says Mearns with a laugh. The three are slowly working through the pas de deux of "Diamonds," the ballet George Balanchine created on Farrell and Jacques D'Amboise in 1967 that makes up the third act of his full-length Jewels.

"I know," Farrell says. "But it's more exciting if the arabesque turn afterwards is sustained."

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News
Malpaso Dance Company in Cunningham's Fielding Sixes. Photo by Nir Ariel, Courtesy Richard Kornberg & Associates

Throughout 2019, the Merce Cunningham Trust continues a global celebration that will be one of the largest tributes to a dance artist ever. Under the umbrella of the Merce Cunningham Centennial are classes and workshops, film screenings and festivals, art exhibitions and symposia, and revivals and premieres of original works inspired by the dancemaker's ideas. The fever peaks on April 16, which would have been the pioneering choreographer's 100th birthday, with Night of 100 Solos: A Centennial Event, featuring a total of 75 dancers in three performances live-streamed from London, Los Angeles and New York City.

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The Creative Process
Paula Lobo, Courtesy Matt Ross PR

It was only a matter of time before dance super couple Sara Mearns and Joshua Bergasse did a major project together.

After all, the newlyweds first met when Mearns, a New York City Ballet star, was being considered for a part on the TV show "Smash," which Bergasse was choreographing. They hit it off, but the role ended up getting cut.

Fast-forward to today, and they're working on their first full-length musical together: I Married an Angel, which opens next week as part of New York City Center's Encores! season, with Bergasse as director and choreographer and Mearns as the star.

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News
Boston Ballet in Forsythe's Pas/Parts 2018. Photo by Rosalie O'Connor, Courtesy Boston Ballet

A feast of Forsythe, a surfeit of Dorrance Dance, a challenge to how we perceive refugees. Our editors' performance picks this month run the gamut.

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The Creative Process
Naomi Corti in William Forsythe's "Herman Schmerman." Erin Baiano, Courtesy NYCB.

When audience members opened their programs at New York City Ballet's revival of Herman Schmerman a few weeks ago, one name had everyone buzzing: Naomi Corti. Just an apprentice, she was dancing a featured role alongside principals and soloists in William Forsythe's challenging, go-for-broke choreography. How was this going to go down?

Quite well, actually. Despite a nasty fall at the beginning of the ballet, 18-year-old Corti held her own next to castmates Sara Mearns and Unity Phelan—and didn't hold back during her solos and partnering sections. When she stepped forward to take her bow, the audience cheered wildly; her reaction was a mix of shock and utter joy. Still, we couldn't help but wonder what kind of pressure she must have been under.

NYCB has a history of giving young apprentices big breaks. Current corps members Miriam Miller (as Titania in Balanchine's A Midsummer Night's Dream) and Alston Macgill (in a featured role in Symphony in C) both had opportunities to shine during their apprentice years. So how does it feel to take on a big role so young? We talked to Corti to find out.

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Just for Fun

If you're anything like us, your Instagram feed is chock-full of gorgeous dance photos and videos. But you know what makes us fall in love with an artist even more? When they take a break from curating perfect posts and get real about their missteps. These performers' ability to move past mistakes, and even laugh them off, is one reason why they're so successful.

Every time you fall out of a pirouette, just remember: The stars—and literally every. single. dancer.—have been there, too. (Even Misty Copeland.)

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Popular
In 2005, Michelle Dorrance was an artist "On the Rise" in Dance Magazine. Photo by Jayme Thornton.

Each month at Dance Magazine, we zero in on budding talent in our "On the Rise" department. Our writers across the country and beyond are continually on the lookout for the dancers and choreographers who are bound to be majors names in the years to come.

With 2018 coming to a close, what better time to check in with some of our former "On the Rise" artists? We hate to say we told you so, but these dancers—like Michelle Dorrance and Sara Mearns—have since hit it big.

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Health & Body
Joel Prouty (far right) trains professional dancers such as James Whiteside, Katherine Williams, Lloyd Knight and Lauren Post. Photo courtesy Prouty

A good personal trainer can coach you through a challenging, safe workout. A great one understands the unique demands dance places on your body and helps you correct specific weaknesses to make you an even stronger performer. Enter Joel Prouty.

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Career Advice

For many of today's top dance artists, summer layoff has turned into series of solo tours. We can often catch a peek on their Instagram posts, where their candor about the long hours, sore bodies and early morning flights to and from festivals does nothing to diminish the glamor of leaping through some of the most breathtaking venues. But these summer appearances are a feat of determination.

The dancers themselves meticulously organize these tours. They are in charge of fielding requests aligning schedules and flight itineraries, securing their own costumes and music, and then rehearsing for their guest roles—sometimes with an entirely new partner.

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Just for Fun

We'll admit it: As excited as we are for fall performance season to start, we are in deep, deep denial that the end of summer is in sight. And we're also experiencing some serious FOMO looking at the vacation photos flooding our Instagram feeds from some of our favorite dancers and choreographers. So where in the world do they go to unwind before gifting us with yet another season of incredible dance?

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News

New York City Center just announced programming for the 2018-19 season, and we're frantically marking our calendars for all the must-see dance. This year is the venue's 75th anniversary, and they're pulling out all the stops—from the reliable fan favorite Fall for Dance to the most epic Balanchine celebration and more:

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Training
Because who doesn't want their feet to look as gorgeous as Sara's? (Photo by Christopher Lane)

Ah, the quest for the perfect, foot-flattering, technique-enhancing pointe shoe: It can feel like a never-ending saga. Still on the hunt for that ideal pair? Then you won't want to miss The School at Steps' annual Pointe Shoe Workshop and Fair, happening this Sunday, April 22nd, at 6:30 pm in NYC.

As always, the event—which is sponsored by our friends at Pointe—will feature an impressive panel of experts. This year's lineup includes orthopedist Dr. Andrew Price, professional fitter Mary Carpenter, master teacher Linda Gelinas, Pointe style editor Marissa DeSantis, and New York City Ballet star Sara Mearns (eee!).

Read the full story at dancespirit.com.

News
Sara Mearns in Isadora Duncan's Narcissus. Photo by Darial Sneed, Courtesy PTAMD

One of New York City Ballet's most adventurous ballerinas will be a special guest of Paul Taylor American Modern Dance for its annual season at the Koch Theater. Sara Mearns is performing solos created by early modern dance icon Isadora Duncan as staged by Lori Belilove. Also on the menu: Paul Taylor Dance Company members in 13 classic Taylor works and world premieres from Doug Varone, Bryan Arias and Mr. Taylor himself (his 147th!), plus the resurgent Trisha Brown Dance Company in her iconic Set and Reset. March 7–25. ptamd.org.

What Wendy's Watching
Gretchen Smith, Jared Angle and Sara Mearns in NEW BODIES.

The Guggenheim Museum's Works & Process series is where dance artists show what they are working on and talk about it.

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What Wendy's Watching
Ashley Shaw as Victoria Page, PC Johan Persson

We are back at New York City Center for The Red Shoes. Matthew Bourne's sumptuous version sticks with the story told in the wildly popular 1948 film. I have to admit I'm not crazy about the idea that Victoria Page, a beautiful young dancer, must choose between work and love. Plus, it uses ballet, once again in popular culture, as a destructive force. But this production is by Matthew Bourne's New Adventures, so the sets and costumes are (ahem) to die for.

For New Yorkers, a special indulgence: On select nights, New York City Ballet's Sara Mearns plays Victoria Page, and American Ballet Theatre's Marcelo Gomes (a 2015 Dance Magazine Awardee) plays the composer who falls for her.

The Red Shoes is up at NY City Center until Nov. 5. Click here for more information.

Dancers Trending
Cie Art Move Concept

Fall For Dance is always a huge talkabout here in the Dance Media offices. So after all the programs were performed this year, a few of the editors from Dance Magazine, Pointe and Dance Teacher got together on Google Hangouts this morning to share our thoughts. Here are excerpts from our convo:

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