The Pleasure and Pitfalls of Creating Ballets Based on Contemporary Literature
The weaving together of movement and language into art seems natural and inevitable, given ballet’s long history as a narrative art form, and our current cultural infatuation with visual storytelling as a means of communication. Yet choreographers’ interest in tying ballet directly to literature is a notable turnaround from the 20th century’s Balanchine-influenced rise of abstract, plotless ballets.