Should You “Make the Movement Your Own” in Auditions?
How much should you personalize the audition material, imbue it with a sense of who you are, express? After all, isn’t that exactly what art asks of artists?
How much should you personalize the audition material, imbue it with a sense of who you are, express? After all, isn’t that exactly what art asks of artists?
Missed the livestream? Get access to the 2021 Dance Magazine Awards on demand here. One of my favorite things about the Dance Magazine Awards has always been the sense of worlds colliding—the way luminaries from different corners of our industry who you’d likely never see sharing a stage or a program come together for this […]
One inescapable fact of trying to plan for anything during a pandemic is the need for backup plans—many of them. Planning a fall performance season—which usually happens months and sometimes even years in advance—while navigating state reopening guidelines and virus spikes falls somewhere between frustratingly difficult and impossible. To make sense of it, Ginger Farley, […]
In 1984, Dance Theatre of Harlem co-founder Arthur Mitchell took one of ballet’s oldest surviving ballets, Giselle, and gave it a uniquely American twist: He moved the ballet’s setting from medieval Europe to an Afro-Creole community in 1840s Louisiana. The resulting production, Creole Giselle, featured an all-Black cast and was hailed by critics as a […]
A newly launched initiative hopes to change the face of ballet, both onstage and behind the scenes. Called “The Equity Project: Increasing the Presence of Blacks in Ballet,” the three-year initiative, funded by the Andrew W. Mellon Foundation, is a partnership between Dance Theatre of Harlem, the International Association of Blacks in Dance and Dance/USA. […]
On Monday night, a memorial was held at Riverside Church to honor the life and achievements of Dance Theatre of Harlem co-founder Arthur Mitchell. With nearly three months to process and grieve (Mitchell passed away on September 19) the atmosphere was not that of mourning as much as reflection, reverence and admiration for who he […]
The first week of San Francisco Ballet’s Unbound: A Festival of New Works was all about new ballets, with 12 world premieres by the likes of Justin Peck, Dwight Rhoden and Annabelle Lopez Ochoa. The second weekend provided time to reflect, as artists and influencers gathered for “Boundless: A Symposium on Ballet’s Future.” Dance Magazine […]
The ballet world will converge on San Francisco this month for San Francisco Ballet’s Unbound: A Festival of New Works, a 17-day event featuring 12 world premieres, a symposium, original dance films and pop-up events. “Ballet is going through changes,” says artistic director Helgi Tomasson. “I thought, What would it be like to bring all […]
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