As Mira Nadon stepped onstage for George Balanchine’s “Diamonds” pas de deux at the Kennedy Center in June, I was struck by both her youth and her maturity. At just 23, the New York City Ballet principal was making her debut in a role typically reserved for the company’s senior ballerinas. Yet she was bringing something new and distinctive to her interpretation.

The spring performance season is moving full steam ahead with literary-inspired ballets, a queer reimagining of Carmen, and premieres drawing from everything from the upcoming solar eclipse to contemporary American politics. Here’s what’s grabbing our attention.

Many dancers marry within the industry, finding common ground through similar triumphs and struggles, and sometimes even sharing the stage together. But there’s also something special about building a life with someone whose career is one step removed: having a spouse who’s dance adjacent, who works within the arts, yet is not fully immersed in professional dance culture.

Missed the livestream? Get access to the 2021 Dance Magazine Awards on demand here. One of my favorite things about the Dance Magazine Awards has always been the sense of worlds colliding—the way luminaries from different corners of our industry who you’d likely never see sharing a stage or a program come together for this […]

Watching FX’s “Fosse/Verdon,” one thing comes across very clearly: Gwen Verdon was far more than just an extraordinary dancer—she was a creative force. The series, adapted from Sam Wasson’s 2013 biography “Fosse,” originally planned to focus solely on the choreographer. But the creators retooled it to highlight Verdon and Fosse’s creative partnership after they researched […]

New York City Ballet’s Fall Fashion Gala always gives us a chance to admire the dancers at their most glamorous, and this year was no exception. From premieres of new works by Lauren Lovette (paired with designer Zac Posen) and Edwaard Liang (with Anna Sui), to a sparkling rendition of Balanchine’s Symphony in C, to […]

Well over a year after the retirement of Peter Martins, New York City Ballet has announced that former principal dancer Jonathan Stafford will lead the company and its affiliated School of American Ballet as artistic director. Fellow former principal Wendy Whelan will serve as associate artistic director. New York City Ballet is thrilled to announce […]

George Balanchine famously wrote, that ballet “is a woman.” Four of his most celebrated women—Allegra Kent, Gloria Govrin, Kay Mazzo and Merrill Ashley—appeared onstage at Jacques d’Amboise’s National Dance Institute Monday evening to celebrate his legacy. The sold-out program, called “Balanchine’s Ballerinas,” included performances of excerpts from ballets closely associated with these women and a […]