#tbt: Nijinsky's Underrated (and More Prolific) Older Sister, Bronislava Nijinska
Bronislava Nijinska, at 80, staging her Les Noces. Photo by Serge Lido, Courtesy DM Archives
In the August 1963 issue of Dance Magazine, we caught up with Bronislava Nijinska, then 72. After leaving the Mariinsky in 1911 to follow her younger brother, Vaslav Nijinsky, to Diaghilev's Ballets Russes, Nijinska carved out a stellar performing career for herself. While Nijinsky often worked out his now-legendary dances, including his Afternoon of a Faun, on her, Nijinska ultimately proved to be the more prolific choreographer—and an equally gifted one, at that. When we spoke to her, she was as energetic as ever, getting up to demonstrate bits of choreography when she felt her words fell short. She told us, "You listen to music through your ears—yes? I listen to music through my eyes. I want my ballets to be music through the eyes, so if you would close your ears you could still hear the music—you could see the music. A paradox! But a paradox close to the center of my idea of ballet."
Pacific Northwest Ballet principals Rachel Foster and Jonathan Porretta took their final curtain call on June 9, 2019. Photo by Lindsay Thomas, Courtesy PNB
We all know dance careers are temporary. But this season, it feels like we're saying goodbye to more stars than usual.
Many have turned to social media to share their last curtain calls, thoughts on what it feels like to say farewell to performing, and insights into the ways that dancing has made them who they are. After years of dedicating your life to the studio and stage, the decision to stop dancing is always an emotional one. Each dancer handles it in their own way—whether that means cheekily admitting to having an existential crisis, or simply leaving with no regrets about what you did for love.
We will miss these dancers' performances, but can't wait to see what awaits each in their next chapters.
A previous lab cycle. Photo by Evan Zimmerman/MurphyMade, Courtesy RRR Creative
Choreographic incubator Broadway Dance Lab has recently been rechristened Dance Lab New York. "I found the nomenclature of 'Broadway' was actually a type of glass ceiling to the organization," says choreographer Josh Prince, who founded the nonprofit in 2012.