The Latest: Rockettes Revamp
Some of the ideas from last year's Heart and Lights have been reworked for the show. New York City will still be the central theme, and special effects like the three-story Statue of Liberty puppet and the choreographed LED backdrop will remain. But the storyline has changed, with a new script by playwright Joshua Harmon. The dance numbers will celebrate one iconic New York landmark after another, as an old-fashioned tour guide leads his new techie boss through the city in an effort to save his job. “It's a complete reimagining," says Carlyle. “We're using some of the same scenic elements and technology from last year, but as far as I'm concerned, it's a completely new show."
Adding to the list of big names, Mia Michaels has choreographed a scene. “To open the show with a number by Mia Michaels just says, 'All bets are off,' " says Carlyle. “It says, 'Look out, here we go, this is not going to be a traditional Rockettes show.' " Laura Benanti, a Broadway actress and cast member of ABC's “Nashville," will star alongside Derek Hough, and Whoopi Goldberg will narrate, lending her voice to the Statue of Liberty. Noticeably absent is Linda Haberman, who had been director/choreographer of the Rockettes since 2006 but left after Heart and Lights' cancellation.
Beyond Michaels' contemporary dance, audiences can expect a variety of choreography that expands the Rockettes' image, from tap to robust jazz. A couple scenes have been preserved and revised from last year's show, including the Fosse-inspired “Electricity," a dance that was widely promoted leading up to Heart and Lights' scheduled opening. But by and large, this is Carlyle's creation. “I tried to really challenge the dancers," he says. “They put on their knee pads, and their shoulder pads, and their elbow pads—and they went for it."
There's always been something larger than life about choreographer Mark Morris. Of course, there are the more than 150 works he's made and that incisive musicality that makes dance critics drool. But there's also his idiosyncratic, no-apologies-offered personality, and his biting, no-holds-barred wit. And, well, his plan to keep debuting new dances even after he's dead.
So it should come as little surprise that his latest distinction is also a bit larger than life: The New York Landmarks Conservancy is adding Morris to its list of "Living Landmarks."
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.
Paul Taylor's Post Meridian was last performed 30 years ago, which is well before any of the company's current dancers joined Paul Taylor Dance Company. In fact, it's before some of the dancers were even born. Every step and extreme angle of the body in the dream-like world of the 1965 work will be fine-tuned in the studio for PTDC's upcoming Lincoln Center season. However, the Taylor archive is where Post Meridian began for Eran Bugge.
Philadelphia's Pew Center for Arts & Heritage announced its 2019 grantees Monday evening, and the list included a couple of familiar names: Dinita Clark and David Gordon.