The Latest: Dance the Dream
A Dance the Dream event in Houston. Photo by Russell Hancock, Courtesy Dance the Dream.
While addressing thousands of Americans at the March on Washington for Jobs and Freedom in August 1963, Martin Luther King, Jr. went off script and improvised a passage of the speech that became momentous in civil rights activism: “I Have a Dream.” To celebrate its 50th anniversary, filmmaker Richard Karz has produced The Dream@50, a yearlong international festival of art contests and musical performances by artists like Usher. It also features Dance the Dream flash mobs, led by choreographers such as Jenna Lee, of English National Ballet, and Mourad Merzouki, of Compagnie Käfig. The festival, which has taken place in more than 30 cities, from Beirut to Boston, culminates in Los Angeles and Seattle this month. Karz says the flash mob is central to his mission. “We are doing these events in public settings, surrounded by daily life, to illustrate that this is about breaking down racial divisions,” he says. “But it’s also about breaking down boundaries between art and dance and real life.”
L.A. Dance Project member Julia Eichten will lead L.A.’s flash mob, danced to Nina Simone’s “I Wish I Knew How It Would Feel to Be Free,” and an arrangement of H.B. Barnum’s “Heaven Help Us All.” It will be performed by over 100 local dance professionals and students, and since Eichten pre-released a video of the dance through YouTube and social media, she says it is expected to gather an audience of 5,000 to 10,000 people “who will get to dance right alongside the professionals and students.” Eichten hopes the choreography will speak to the city’s cultural diversity. “L.A. has such a wide spectrum of nationalities, so we really want to celebrate that through dance and music,” she says. “Togetherness is what Dr. King was an advocate for, despite different views or even violence. I would like to think that through this project we can help create a little harmony for us all to share in.”
Amy O’Neal is choreographing Seattle’s flash mob. For remaining celebration dates, see thedreamat50.com.
It's a cycle familiar to many: First, a striking image of a lithe, impossibly fit dancer executing a gravity-defying développé catches your eye on Instagram. You pause your scrolling to marvel, over and over again, at her textbook physique.
Inevitably, you take a moment to consider your own body, in comparison. Doubt and negative self-talk first creep, and then flood, in. "I'll never look like that," the voice inside your head whispers. You continue scrolling, but the image has done its dirty work—a gnawing sensation has taken hold, continually reminding you that your own body is inferior, less-than, unworthy.
It's no stretch to say that social media has a huge effect on body image. For dancers—most of whom already have a laser-focus on their appearance—the images they see on Instagram can seem to exacerbate ever-present issues. "Social media is just another trigger," says Nadine Kaslow, a psychologist who works with the dancers of Atlanta Ballet. "And dancers don't need another trigger." In the age of Photoshop and filters, how can dancers keep body dysmorphia at bay?
If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.