Career Advice
Tony Testa leads a rehearsal during his USC New Movement Residency. Photo by Mary Mallaney/Courtesy USC

The massive scale of choreographing an Olympic opening ceremony really has no equivalent. The hundreds of performers, the deeply historic rituals and the worldwide audience and significance make it a project like no other.

Just consider the timeline: For most live TV events like award shows, choreographers usually take a month or two to put everything together. For the Olympics, the process can take up to four years.

But this kind of challenge is exactly what Los Angeles choreographer Tony Testa is looking for. He's currently creating a submission to throw his hat in the ring to choreograph for Beijing's 2022 Winter Games.

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Career Advice
Courtesy of Fox

Although she choreographed on early seasons of "So You Think You Can Dance," Laurieann Gibson hasn't watched the show all that much in the past decade. But when she got the call asking her to be a judge this season, she didn't hesitate to say yes.

"To be able to inspire a younger version of myself, I was like, Sign me up!" she says. (And then she promptly did her homework, catching up on all the episodes from the past couple of years.)

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News
Alvin Ailey. Photo by Normand Maxon, Courtesy AAADT

Here's some Monday news to rock your soul: An upcoming Fox Searchlight film about the life of Alvin Ailey just got even more enticing—Barry Jenkins, the filmmaker who won an Oscar for Moonlight, has signed on as director.

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Breaking Stereotypes
Kathleen Breen Combes in Paulo Arrais' ELA, Rhapsody in Blue, which will be her final ballet at Boston Ballet. Photo by Rachel Neville, Courtesy Boston Ballet

When star dancers retire from the stage, it's not uncommon to see them step into a new kind of spotlight as an artistic director.

But Kathleen Breen Combes is making a more surprising move.

After the longtime Boston Ballet principal gives her farewell performance on June 9, she'll start a second career as executive director of Festival Ballet Providence, taking on the nuts-and-bolts administrative tasks that go into the business side of ballet.

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