Nancy Wozny is editor in chief of Arts + Culture Texas, the only print Texas arts magazine in the state. She is also frequent contributor to Pointe Magazine, Dance Teacher and Dance Magazine, where she is also a contributing editor. Her byline has appeared in The Houston Chronicle, Dance USA's The Green Room, Culturemap, and numerous other publications. She is the winner of the Gary Parks Award from the DCA, an NEA Fellow at ADF, and the recipient of numerous grants for her work in dance, somatics and creativity. She has taught and written about Feldenkrais and somatics in dance for two decades and is currently teaching at Shepherd School of Music at Rice University. She also has served as a Scholar in Residence at Jacob's Pillow since 2010.
Mónica Gómez overcame her shyness and performed a nuanced Kitri. Photo by Amitava Sarkar, Courtesy Houston Ballet.
Mónica Gómez became Houston Ballet's newest It girl overnight after her sensational April performance of Kitri. All fire, but with ample doses of flash, Gómez brought her natural star power to the role's nuances. "I am a very shy person," says the soloist, "so I had to work on my sass." Her richly textured dancing, combined with her incredibly expressive eyes and virtuosity, created magic onstage.
Houston Ballet rehearsing Theater Under The Stars' Oklahoma! choreographed by Stanton Welch. Photo by Lawrence Knox
Rodgers & Hammerstein's classic 1943 musical Oklahoma!, now celebrating its 75th anniversary, brought a bounty of firsts: Rodgers and Hammerstein's first collaboration, Agnes de Mille's first dream ballet, the first time that a Broadway choreographer got a credit as a choreographer.
Karina Gonzalez and baby Julia, photo via Instagram
Houston Ballet principal Karina González stunned audiences last fall with her emotionally charged Mary Vetsera in Kenneth MacMillan's Mayerling—while 16 weeks pregnant. "I had to be careful because the pas de deux are crazy," says González, who carefully planned her pregnancy so that she could dance in this ballet. "Thankfully, I had the best partner in Connor Walsh."
Reviews help Gabrielle Lamb understand how her works come across. Photo by Glenn Goettler, courtesy Lamb
Love them or not, reviews are part of the ecology of being a dancemaker. Critical writing can validate, illuminate or sometimes get in the way of an artist's creative process. We spoke with five choreographers about their relationship to reviews.