ABT Is Getting Serious About Female Choreographers
American Ballet Theatre is putting more women in charge of its ballets.
Today, artistic director Kevin McKenzie announced that the company is launching a multi-year initiative called the ABT Women’s Movement.
ABT will hire at least three female choreographers each season. The idea is that, in general, one woman will create a new ballet for the main company, one will make a work on the Studio Company, and one will workshop with dancers from either group for a choreographic residency without the expectation of a final product.
Lauren Lovette, choreographing here in the NYCB studios, created a ballet on ABT Studio Company last year. Photo by Erin Baiano, courtesy NYCB.
The launch will be celebrated this October during ABT’s Fall Gala. That program will be devoted entirely to work by women: a premiere by Michelle Dorrance, Lauren Lovette‘s Le Jeune for the ABT Studio Company and Twyla Tharp’s iconic In The Upper Room, which has been in ABT’s rep since 1988.
“The ABT Women’s Movement takes inspiration from the groundbreaking female choreographers who have left a lasting impact on ABT’s legacy, including Agnes de Mille and Twyla Tharp,” McKenzie said in a press release.
This project builds on an earlier one that started in 2016 as the Women Choreographers Initiative, which supported works by Lang, and funded Lovette’s Le Jeune as well as a Studio Company piece by Dana Genshaft, plus a main company residency last November with modern choreographer Pam Tanowitz.
No details were given about how many years this will run. But we’re hoping it will last for as long as it takes until initiatives like these don’t need to be a thing.