In The Studio

This ABT Dancer Isn't Afraid to Fall on His Face

The role of Harlequin in Marius Petipa's comic ballet Harlequinade is one American Ballet Theatre dancer Gabe Stone Shayer knows quite well. He first performed a variation of the role when he was just nine years old. Today, he explores commedia dell'arte in Alexei Ratmansky's new take on the ballet, premiering at the Metropolitan Opera House this June.

We stepped into a rehearsal of Harlequinade with Shayer and fellow ABT dancer Cassandra Trenary for our "In The Studio" series:


There is such a fun, comedic aspect to the role of Harlequin. Is that built right into Alexei Ratmansky's choreography or were you given the freedom to explore your own expression of the character?

There's a little bit of both. He refers to some of the notations of Marius Petipa but of course there were some missing notations where he would take the style and images from the time period and play off that. We had the freedom to delve into that and see what fit our bodies.

Shayer and Trenary rehearsing Ratmansky's Harlequinade

What was it like working with him on this role?

It was really interesting because he has a very analytical mind when it comes to this type of choreography. He feeds you all the information and then he lets you take it for a ride and see where it goes. It flourishes differently on each dancer which is so interesting to watch.

You've been performing variations of this role since you were nine. Do you still find it difficult to find the balance between the comedy and the technical specificity in the work?

I'm always challenged by Alexei. No matter what. I always think I'm going to get used to it and then it gets harder. I feel like I've now found a balance working with him where I'm not afraid to look stupid or go for something and fall on my face. I go through the technical steps as wholeheartedly as I can while also doing the character.

Shayer and Trenary rehearsing Ratmansky's Harlequinade

Is there anything in particular that you do to stay sane during ABT's intense Met season?

I basically turn my apartment into a spa; calming music, essential oils. It's a nice escape from the hustle and bustle of the Met season. Often times it can be difficult to wind down from performances or rehearsals and having that to come home to really helps!

Breaking Stereotypes
Lindsay Martell at a class performance. Courtesy Martell.

More than once, when I'm sporting my faded, well-loved ballet hoodie, some slight variation of this conversation ensues:

"Is your daughter the dancer?"

"Actually," I say, "I am."

"Wow!" they enthuse. "Who do you dance with? Or have you retired...?"

"I don't dance with a company. I'm not a professional. I just take classes."

Insert mic drop/record scratch/quizzical looks.

Keep reading... Show less
Dancers Trending
Taylor Stanley in Apollo. Photo by Erin Baiano, Courtesy New York City Ballet

You nominated your favorite dance moments so far in 2019, and we narrowed them down to this list. Now it's time to cast your vote to help decide who will be deemed our Readers' Choice picks for the year!

Voting is open until September 17th. Only one vote per person will be counted.

Keep reading... Show less
The USC Kaufman graduating class with Mikhail Baryshnikov. Gus Ruelas/USC

Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.

Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:

Keep reading... Show less
News
Teaċ Daṁsa in Michael Keegan-Dolan's Loch na hEala. Photo by Marie-Laure Briane, courtesy Walker Art Center

The 2019–20 season is here, and with it more performances than any one person could reasonably catch. But fear not: We polled our writers and editors and selected the 31 most promising tickets, adding up to one endlessly intriguing year of dance.

Keep reading... Show less

mailbox

Get Dance Magazine in your inbox