Allison DeBona On What's Really Wrong With the Kendall Jenner Video
After Allison DeBona's Facebook post commenting on the recent Kendall Jenner controversy went viral, we invited the Ballet West first soloist to elaborate on the Dance Magazine blog.
Let’s cut to the chase. The recent Vogue Spain video with Kendall Jenner was not the first ballet representation gone wrong, and it will not be the last. So, as professional dancers who spend our lifetimes working on our craft, I call you to arms: conceive, create and educate.
From DeBona's Vogue Italia shoot. PC Emma Summerton for Vogue Italia.
I came across the Jenner video on Facebook because a friend of mine shared it. My first reaction was, “not this again!” This summer I was hired by Vogue Italia and the creative photographic mastermind Emma Summerton to be part of an eight page editorial and video for their August issue. Emma told me she was very dedicated to finding someone able to do extraordinary things with their body. I submitted photos and video to be considered for the job. I was up against models who really wanted the opportunity as well, but Emma found my technique to be important to her and her vision, so I booked it.
When I first saw it, I wanted to make light of the Jenner video because it seemed to me Vogue Spain hired her to pretend to be a dancer in her room—I originally wanted to post my video on my Facebook page and write, “Beautiful video Kendall, but I raise you a pointed toe.” But, I slept on it and the photo of Kendall in pointe shoes surfaced. There was a bigger issue to discuss.
I think it is wonderful that ballet is becoming more mainstream. Dance needs that to survive. I have made that point numerous times since Ballet West signed on for “Breaking Pointe.” But, as artists we can no longer allow pop culture to dictate the content that is being released on our behalf. “Breaking Pointe” was pitched to us as a docu-series to showcase the blood, sweat and tears it takes to be a professional dancer, but in post-production we fell victim to what the masses wanted—cat fights and love triangles. Ballet was lost in translation. How do we keep a mass of companies who are trying to capitalize on our art form, but are highly uneducated in our craft, from shaming us? We stop sharing the trash, create art we believe in and support each other.
Emma Summerton for Vogue Italia
There is a high level of competition in ballet, and it is not often that dancers look to their peers in support. We all can say we do, but do our actions support it? I posted my Vogue video weeks ago, and it did not get half of the shares and comments as it did after the Jenner video surfaced. Everyone partakes in self-promotion, but in order to educate the masses we must come together and support the content we find intelligent, thought provoking, artistic and technically sound. I try to practice what I preach. In 2014 I started “Art with Alli – A Random Thought” to create a forum where I could share other dancers' content and endeavors. I ask dancers to tag #ARTWITHALLI for a chance to be featured. I also direct artÉmotion Summer Intensive along with Ballet West principal Rex Tilton, a program we started to invest in the future of young dancers and artists. We will also be launching a new endeavor where we hope to reach the masses on a more regular basis with dance. Be the change you want to see, collaborate with artists who share your vision and share what moves you. Or else Kendall Jenner will continue to get the one million views you’re hoping to get for your latest project. As a commenter on my Facebook page put it: "I know nothing about ballet, but Spanish Vogue made me think, 'clothes + Kendall = $$,' whereas Allison's video made me wish I'd taken ballet."
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.