Cover Story

Mayara Magri is captured mid-run, arms outstretched to the sides as the cloak she holds in her hands billows behind her. Her costume is a pale peach dress over pink tights, reminiscent of a nightgown. Her hair is loose around her shoulders, a look of mingled despair, fear, and hope on her face.

Cover Story

Mayara Magri’s Intellect, Resolve, and Versatility Have Powered Her High-Flying Career

Kyra Laubacher

A series of four images of Ephraim Sykes, an athletic Black man in his 30s. He poses against an off-white wall, variously leaning against it in counterbalance or creating dramatic shadows. He wears denim overalls over a bare chest, letting one strap fall off his shoulder, and bright sneaks.

Cover Story

Ephraim Sykes Is the Toast of Broadway and Beyond

Sylviane Gold

Hope Boykin, a petite, curvy Black woman with a shaved head, gives the camera a mischievous, close-mouthed smile. Her palms are pressed together with her fingertips resting against her lips; her elbows are propped on her knees as she leans forward where she sits, arches popping against the floor. She wars white trousers and a denim button-down with the sleeves rolled to her elbows.

Cover Story

First As a Performer and Now As a Choreographer, Hope Boykin Has Nurtured Her Unique Voice

Courtney Celeste Spears

Stefanie Batten Bland poses against a grey-white backdrop in a silver strapless dress. Her light brown curls halo around her face and down to her shoulders. She leans forward, arms delicately extended side, her chin tipped up and expression open as though she's catching sight of someone just out of frame. The image evokes an old school Hollywood starlet.

Cover Story

The Magic and Magnetism of Stefanie Batten Bland

Lauren Wingenroth

Hubbard Street dancers Aaron Choate, Alexandria Best, and Shota Miyoshi form an interconnected, dancerly tableau against a gray background. Choate wears a black deep-V top and pleated white skirt; Best wears a vivid orange long-sleeved top and white pants; Miyoshi wears a black sleeveless crop top and black bottoms.

Cover Story

Hubbard Street Dance Chicago Is Returning to Stability—And Its Roots

Lauren Warnecke

Cover Story

Kolton Krouse Blazes Their Own Trail On Broadway and Beyond

Margaret Fuhrer

Tai Jimenez, Robert Garland, and Virginia Johnson pose together seated on a green velvet couch. Jimenez, perched on the back, leans back against Garland as she stretches an arm overhead, posing as though she's singing karaoke. Garland wears a wry smile as he kicks a sneakered foot out towards the camera. Seated below them, Johnson smiles warmly, exuding elegance and calm.

Cover Story

Dance Theatre of Harlem’s New Leadership: A Conversation With Virginia Johnson and Robert Garland

Caitlin Sims

Tai Jimenez grins at the camera as she sits, legs folded under her, on a green velvet couch. She rests her chin in her hand, elbow propped on top of her knee. Her grey and black hair is shaved to a fade on the sides, the tight curls short on top. She wears a grey striped dress, white sneakers with black laces, and bright green socks.

Cover Story

Tai Jimenez on Leading the DTH School

djassi daCosta johnson

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