Chicago Dancing Festival Celebrates 10th Anniversary
Where else can you see 22 companies and nine independent dancers for FREE? Chicago Dancing Festival spreads out in various venues, with six performances over five days, from August 23 to 27.
The brainchild of Lar Lubovitch and Jay Franke, over the last ten years this festival has commissioned eight new works, presented more than 100 dance companies and attracted more than 90,000 audience members.
To mark the 10th year, they will open with a “movable dance parade” along the Navy Pier’s outdoor stages. Companies performing throughout the festival include Chicago favorites like the Joffrey Ballet, Chicago Human Rhythm Project and Muntu Dance Theatre. There will be works by William Forsythe, Christopher Wheeldon, Alexander Ekman and Aszure Barton + Artists. And one of my personal faves—Hubbard Street in Crystal Pite’s Solo Echo.
The Joffrey's Fabrice Calmels and April Daly in Lar Lubovitch's Othello, photo by Cheryl Mann
Randy Duncan’s new Depth of Light brings together dancers from Giordano Dance Chicago, Chicago Repertory Ballet, DanceWorks Chicago, Visceral Dance Chicago and other companies.
Last year, the festival presented a night of “Modern Women,” and this year, the “Modern Men” night includes Joshua Beamish, Rennie Harris, Rashaun Mitchell & Silas Riener, and Brian Brooks.
Rennie Harris Puremovement in Students of the Asphalt Jungle, photo courtesy CDF
Inclusion, in genre and in numbers, is the name of the game. Forward Momentum Chicago has taught more than 80 students from the city’s schools and studios to perform traditional South African Gumboot dance. Tap dance, capoeira, Caribbean dance and Bharata Natyam are also on the schedule.
I think it would be hard for any dance lover in the Chicago area—or anywhere in the Midwest for that matter—to resist this cornucopia of dancing. Click here for tickets.
Essential oils sometimes get a bad rap.Between the aggressive social media marketing for the products and the sometimes magical-sounding claims about their healing properties, it's easy to forget what they can actually do.But if you look beyond the pyramid schemes and exaggerations, experts believe they have legit benefits to offer both mind and body.
How can dancers take advantage of their medicinal properties? We asked Amy Galper, certified aromatherapist and co-founder of the New York Institute of Aromatic Studies:
Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union's 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed the envelope with gold wax before mailing it to the union and asking, in a separate note, that it not be opened. The reason? "It is the outline for a play, and I have no means of copyrighting…The material is eminently stealable."