Chicago Dancing Festival Celebrates 10th Anniversary
Where else can you see 22 companies and nine independent dancers for FREE? Chicago Dancing Festival spreads out in various venues, with six performances over five days, from August 23 to 27.
The brainchild of Lar Lubovitch and Jay Franke, over the last ten years this festival has commissioned eight new works, presented more than 100 dance companies and attracted more than 90,000 audience members.
To mark the 10th year, they will open with a “movable dance parade” along the Navy Pier’s outdoor stages. Companies performing throughout the festival include Chicago favorites like the Joffrey Ballet, Chicago Human Rhythm Project and Muntu Dance Theatre. There will be works by William Forsythe, Christopher Wheeldon, Alexander Ekman and Aszure Barton + Artists. And one of my personal faves—Hubbard Street in Crystal Pite’s Solo Echo.
The Joffrey's Fabrice Calmels and April Daly in Lar Lubovitch's Othello, photo by Cheryl Mann
Randy Duncan’s new Depth of Light brings together dancers from Giordano Dance Chicago, Chicago Repertory Ballet, DanceWorks Chicago, Visceral Dance Chicago and other companies.
Last year, the festival presented a night of “Modern Women,” and this year, the “Modern Men” night includes Joshua Beamish, Rennie Harris, Rashaun Mitchell & Silas Riener, and Brian Brooks.
Rennie Harris Puremovement in Students of the Asphalt Jungle, photo courtesy CDF
Inclusion, in genre and in numbers, is the name of the game. Forward Momentum Chicago has taught more than 80 students from the city’s schools and studios to perform traditional South African Gumboot dance. Tap dance, capoeira, Caribbean dance and Bharata Natyam are also on the schedule.
I think it would be hard for any dance lover in the Chicago area—or anywhere in the Midwest for that matter—to resist this cornucopia of dancing. Click here for tickets.
More than once, when I'm sporting my faded, well-loved ballet hoodie, some slight variation of this conversation ensues:
"Is your daughter the dancer?"
"Actually," I say, "I am."
"Wow!" they enthuse. "Who do you dance with? Or have you retired...?"
"I don't dance with a company. I'm not a professional. I just take classes."
Insert mic drop/record scratch/quizzical looks.
You nominated your favorite dance moments so far in 2019, and we narrowed them down to this list. Now it's time to cast your vote to help decide who will be deemed our Readers' Choice picks for the year!
Voting is open until September 17th. Only one vote per person will be counted.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
The 2019–20 season is here, and with it more performances than any one person could reasonably catch. But fear not: We polled our writers and editors and selected the 31 most promising tickets, adding up to one endlessly intriguing year of dance.