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From JLaw to Ralph Fiennes, Here Are the Danciest Movies in the Works for 2018
Oh, Hollywood. In any given year, Tinseltown's use of dance in film veers from the woefully disappointing to the surprisingly delightful, but one thing's for certain: It's rarely boring. Here's our not-at-all-comprehensive and completely-subject-to-change list of the new dance-related movies coming soon to a theater (or laptop screen) near you.
Based on Jason Matthews' novel of the same name, the feature film tells the story of an ex-ballerina-turned-Russian-spy (Jennifer Lawrence) and her entanglement with a CIA agent. Crosses, double-crosses and an ill-timed romance ensue, but the real excitement comes from the ballet talent in the cast and crew: Sergei Polunin has a role, Isabella Boylston is Lawrence's dance double and Justin Peck was brought on to choreograph. In theaters March 2.
The Nutcracker and the Four Realms
We aren't sure how much dancing will be in the final cut of this live-action take on the E.T.A. Hoffmann story that inspired the ubiquitous ballet, but amongst the Hollywood A-listers is one very familiar name: Misty Copeland. She'll lead what may well be the only major dance sequence in the movie, with choreography by Liam Scarlett. In theaters Nov. 2.
A remake of the 1977 horror movie of the same name, it follows a young American dancer (Dakota Johnson) who travels to Berlin to study at a prestigious academy where things quickly take a dark turn. Johnson trained in dance in preparation for her role, but we're expecting more emphasis on terror than technique. Tentatively slated for a 2018 release.
The White Crow
Oleg Ivenko stars as Rudolf Nureyev in The White Crow. Photo by Jessica Forde, Courtesy Premier
Based on Julie Kavanagh's Rudolf Nureyev: The Life, the Ralph Fiennes–directed drama focuses on the circumstances surrounding the dance legend's 1961 defection. Gabrielle Tana, who produced the Sergei Polunin documentary DANCER, developed and is co-producing the project. The cast includes Russian dancer Oleg Ivenko (as Nureyev) as well as Polunin, with choreography by Johan Kobborg. Tentatively slated for a 2018 release.
Untitled Tiler Peck documentary
A new documentary on NYCB star Tiler Peck is in production. Photo by Paul Kolnik, Courtesy NYCB
Directed by Steven Cantor (who previously directed DANCER) and with actress Elisabeth Moss as an executive producer, the documentary will follow the New York City Ballet star as she prepares for her curatorial debut with BalletNOW, which took place at The Music Center's Dorothy Chandler Pavilion in Los Angeles last July. The program's cast was ridiculously star-studded, with dancers from NYCB, American Ballet Theatre, Paris Opéra Ballet, The Royal Ballet and Dorrance Dance joining Peck. We can't wait to see the backstage shenanigans. Slated for release on Hulu in 2018.
A dance-centric biopic based on Carlos Acosta's memoir—and starring Acosta and his company—is in production. Photo by Kristie Kahns
Carlos Acosta will star in this biopic, produced by BBC Films and inspired by his memoir No Way Home, charting his rise to the top of the ballet world. The film's script is from Paul Laverty, best known for his searing, socially conscious work with British director Kenneth Loach. Acosta Danza will also appear in dance sequences choreographed by Acosta. Release date TBA.
Benjamin Millepied is making his feature-film directorial debut with a new Carmen. Photo by Agathe Poupeney, Courtesy Paris Opéra Ballet
Benjamin Millepied's directorial debut for a feature-length film will be a contemporary musical drama inspired by the iconic opera. Millepied will once again choreograph for the big screen (having previously done so for Black Swan) and is working with a creative team that includes composer Nicholas Britell (Moonlight). Filming is expected to begin early this year. Release date TBA.
A few weeks ago, American Ballet Theatre announced the A.B.T. Women's Movement, a new program that will support three women choreographers per season, one of whom will make work on the main company.
"The ABT Women's Movement takes inspiration from the groundbreaking female choreographers who have left a lasting impact on ABT's legacy, including Agnes de Mille and Twyla Tharp," said artistic director Kevin McKenzie in a press release.
Hypothetically, this is a great idea. We're all for more ballet commissions for women. But the way ABT has promoted the initiative is problematic.
Some dancers move to New York City with their sights set on a dream job: that one choreographer or company they have to dance for. But when Maggie Cloud graduated from Florida State University in 2010, she envisioned herself on a less straightforward path.
"I always had in mind that I would be dancing for different people," she says. "I knew I had some kind of range that I wanted to tap into."
On the occasion of its 70th anniversary, the Ballet Nacional de Cuba tours the U.S. this spring with the resolute Cuban prima ballerina assoluta Alicia Alonso a the helm. Named a National Hero of Labor in Cuba, Alonso, 97, has weathered strained international relations and devastating fiscal challenges to have BNC emerge as a world-class dance company. Her dancers are some of ballet's best. On offer this time are Alonso's Giselle and Don Quixote. The profoundly Cuban company performs in Chicago May 18–20, Tampa May 23, Washington, D.C., May 29–June 3 and Saratoga, New York June 6–8.
We all know that the general population's knowledge of ballet is sometimes...a bit skewed. (See: people touching their fingertips to the top of their head, and Kendall Jenner hopping around at the barre.)
Would your average Joe know how to do ballet's most basic step: a plié? Or, more to the point, even know what it is?
SELF decided to find out.
New York City Ballet is celebrating the Jerome Robbins Centennial with twenty (20!) ballets. The great American choreographer died in 1998, so very few of today's dancers have actually worked with him. There are plenty of stories about how demanding (at times brutally so) he could be in rehearsal. But Peter Boal has written about Robbins in a more balanced, loving way. In this post he writes about how Robbins' crystal clear imagery helped him approach a role with clarity and purpose.
Who says you need fancy equipment to make a festival-worthy dance film? Right now, two New York City–based dance film festivals are calling for aspiring filmmakers to show their stuff—and you don't need anything more cumbersome than a smartphone to get in on the action.
Here's everything you need to know about how to submit:
When Lisset Santander bourréed onstage as Myrtha in BalletMet's Giselle this past February, her consummate portrayal of the Queen of the Wilis was marked by steely grace and litheness. The former Cuban National Ballet dancer had defected to the U.S. at 21, and after two years with the Ohio company, she's now closer to the dance career she says she always wanted: one of limitless possibilities.
For 17 years, James Samson has been the model Paul Taylor dancer. There is something fundamentally decent about his stage persona. He's a tall dancer—six feet—but never imposes himself. He's muscular, but gentle. And when he moves, it is his humanity that shines through, even more than his technique.
But all dancing careers come to an end, and James Samson's is no exception; now 43, he'll be retiring in August, after a final performance at the Teatro Romano in Verona, where he'll be dancing in Cloven Kingdom, Piazzolla Caldera and Promethean Fire.
The wait for Alexei Ratmansky's restaging of Petipa's Harlequinade is almost over! But if you can't wait until American Ballet Theatre officially debuts the ballet at the Metropolitan Opera House on June 6, we've got you covered. ABT brought the Harlequinade characters to life (and to the Alder Mansion in Yonkers, NY) in a short film by Ezra Hurwitz, and it's a guaranteed to make you laugh.
When an anonymous letter accused former New York City Ballet leader Peter Martins of sexual harassment last year, it felt like what had long been an open secret—the prevalence of harassment in the dance world—was finally coming to the surface. But the momentum of the #MeToo movement, at least in dance, has since died down.
Martins has retired, though an investigation did not corroborate any of the claims against him. He and former American Ballet Theatre star Marcelo Gomes, who suddenly resigned in December, were the only cases to make national headlines in the U.S. We've barely scratched the surface of the dance world's harassment problem.