Galván (center) in his El Amor Brujo. Javier Fergo, Courtesy Jerez Festival

"I Think I Dance Because I Don't Like to Dance"

I always ask myself: If my parents hadn't been flamenco dancers, would I have danced? I certainly don't have a calling for dancing. As a child I was no Billy Elliot—that kind of boy that would do anything to dance. In fact, I was the Anti-Billy Elliot. My parents were always forcing me to dance, and I pushed back as much as I could. I thought dancing was boring.


So why, as an adult, do I continue to dance? I know it sounds odd, but I think I dance because I don't like to dance. It's not logical, but there is something freeing in accepting that. I literally cannot remember a time in my life when I didn't dance. I've danced since I've had consciousness. It's simply in my DNA. And you can't escape what you are.

I was always going to be a dancer, but my saving grace as an adult is that I don't feel any pressure. I feel total freedom when it comes to how I choose to dance. As long as people continue asking me to perform, I will, but it has to be on my terms.

When I perform in public, it's not so much the dance that I respect as much as the venue and stage and the people who come to watch me. I find that connection very special, even more so as time passes.

I love reading and film, but I am not a writer or a filmmaker. Dance is the tool I was given, so it's the tool I use to create art. I consider myself an artist more than a dancer, because the work that I create is inspired by more than just movement. Dance is just a means of transmission, that little bit of magic that was handed down to me and that I now use to create a world of my own within a profession that I never chose for myself.

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Marcie Parker, Courtesy Red Door Dance Academy

There’s No Better Time Than Now to Upgrade Your Flooring: Here's How

Studio owners: The light at the end of the recital tunnel is in sight, and your summer intensive won't start for a few weeks after that. Now is the time to tackle all those pesky studio-upkeep projects that you can't deal with while dancers are literally underfoot. Longtime studio owners Marisa Mailhes (of Red Door Dance Academy) and Misty Lown (of Misty's Dance Unlimited) have both relied on this timing in the past to upgrade their buildings' dance flooring—and they're here to show you how Stagestep Flooring helped them get it done with a minimum of stress.

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May 2021