Jerome Robbins would have been 100 years old on October 11, 2018. Photo by Frederic Ohringer, Courtesy DM Archives

Celebrate Jerome Robbins' Would-Be 100th Birthday With 10 Rarely-Seen Photos

2018 has seen an endless parade of celebrations in anticipation of Jerome Robbins' centennial—and now the day has finally arrived. In honor of what would have been his 100th birthday, we dove into our photo archives and selected a few favorite shots of the choreographer whose career defined (and redefined) American dance.


A young Robbins, 1944

Photo courtesy DM Archives

Robbins with Nancy Walker, the lead in his 1948 Broadway musical Look, Ma, I'm Dancin'!

Photo by Eileen Darby, Courtesy DM Archives

Robbins in Balanchine's Tyl Ulenspiegel, 1951

Photo by Walter E. Owen, Courtesy DM Archives

A rehearsal for The Concert (or, The Perils of Everybody), 1960

Photo by CBS Television Network, Courtesy DM Archives

Robbins (center) rehearsing West Side Story

Photo by Friedman-Abeles, Courtesy DM Archives

Robbins giving notes to Maria Karnilova and Zero Mostel, of the 1964 Broadway cast of Fiddler on the Roof

Photo by Eileen Darby-Graphic House, Courtesy DM Archives

Robbins (left) with Balanchine (bottom left) and the choreographers for NYCB's 1972 Stravinsky Festival

Photo courtesy DM Archives

Jean-Pierre Bonnefoux, Paolo Bortoluzzi, Malika Sabirova, Violette Verdy, Muzafar Bourkhanov, Robbins, Antoinette Sibley, Antony Dowell, Patricia McBride, Helgi Tomasson and Carla Fracci at the Spoleto Festival, 1973

Photo by Lionello Fabbri, Courtesy DM Archives

Robbins and Antoinette Sibley rehearse his Afternoon of a Faun

Photo by Michael Childers, Courtesy DM Archives

Carmen de Lavallade and Robbins chat with Yves St. Laurent

Photo by Whitestone Photo, Courtesy DM Archives

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AMDA students learn how to present their best selves on camera. Photo by Trae Patton, Courtesy AMDA

AMDA's 4 Tips for Acing Your Next Audition

Ah, audition day. The flurry of new choreography, the long lines of dancers, the wait for callbacks. It's an environment dancers know well, but it can also come with great stress. Learning how to be best prepared for the big day is often the key to staying calm and performing to your fullest potential (and then some).

This concept is the throughline of the curriculum at American Musical and Dramatic Academy, where dance students spend all four years honing their audition skills.

"You're always auditioning," says Santana Trujillo, AMDA's dance outreach manager and a graduate of its BFA program. On campus in Los Angeles and New York City, students have access to dozens of audition opportunities every semester.

For advice on how dancers can put their best foot forward at professional auditions, Dance Magazine recently spoke with Trujillo, as well as AMDA faculty members Michelle Elkin and Genevieve Carson. Catch the whole conversation below, and read on for highlights.

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July 2021