Dance Magazine Awards

Congratulations to Dance Magazine Award Honoree Michael Trusnovec

Michael Trusnovec models what it takes to become a great Paul Taylor dancer. Photo courtesy NYC Dance Project

Paul Taylor cultivated many brilliant dancers during his 60-plus-year career, but seldom have any commanded such a place of authority and artistry as Michael Trusnovec. He models what it takes to become a great Taylor dancer: weight of movement, thorough grasp of style, deep concentration, steadfast partnering, complete dedication to the choreography and a nuanced response to the music.

Trusnovec can simultaneously make choreography sexy and enlightened, and he can do it within one phrase of movement. Refusing to be pigeonholed, he has excelled in roles as diverse as the tormented and tormenting preacher in Speaking in Tongues; the lyrical central figure—one of Taylor's own sacred roles—in Aureole; the dogged detective in Le Sacre du Printemps (The Rehearsal); and the corporate devil in Banquet of Vultures.


"I brought a whole bunch of things in my bag of tricks that Paul was able to dig through and find things I didn't even know were in there," says Trusnovec, who has danced with the Paul Taylor Dance Company for more than two decades.

Spotlight On...Michael Trusnovec www.youtube.com

"If Fred Astaire and Ginger Rogers had a baby, it would be Michael Trusnovec," says fellow PTDC dancer Parisa Khobdeh. "He can make anything look 'right.' The world could be in utter turmoil, but onstage with him, it all melts away."

One of Trusnovec's most valued experiences was the creation of the Whitmanesque poet in Beloved Renegade, a figure—perhaps symbolic of Taylor's own mortality—who reconciles himself with the dying light of life as he is shepherded by the angel of death. The piece's hushed dramatic impact is singular, and its genesis hard to imagine without Trusnovec.

Now also working as both director of worldwide licensing and associate rehearsal director, Trusnovec, who had 26 Taylor dances created on him, will retire in June.

"I love being able to share the experiences I've had without ever putting those on someone and saying, 'This is the way it should feel,' because that's never how I've been treated," he says. "If I can steer somebody toward a path that might be as rich and rewarding for them as for me, I'm happy to do that."

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The Conversation
Career Advice
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Few people who are busier during the holidays than corps members of American ballet companies. December is officially Nutcracker season—a company's chance to earn a huge chunk of their revenue for the year, and a dancer's chance to go a little, ahem, nuts, waltzing and swallowing fake snow night after night for weeks on end.

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Via Instagram @rambertdance

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Style & Beauty
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Dancers Trending
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The Creative Process
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What Wendy's Watching
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Dance Training
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If a teacher or choreographer has ever commented that your dancing looks stiff, the problem could be that you aren't breathing effectively. "When dancers aren't breathing, their shoulders are up and there's no length in their movement. They start to look like they're just waiting to get to the next thing," says Maria Bai, artistic director of Central Park Dance in New York.

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The Creative Process
Jordan Isadore with one of his mobiles. Photo via Instagram

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Career Advice
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There's always that fateful day each year, usually in February or March, when ballet contracts are renewed. Dancers file into an office one by one, grab an envelope and sign their name on a nearby sheet of paper to signify the receipt of their fate. Inside that envelope is a contract for next season or a letter stating that their artistic contribution will no longer be needed. This yearly ritual is filled with anxiety and is usually followed by either celebratory frolicking or resumé writing.

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The Creative Process
Rami Malek performing as Freddie Mercury. Still from Bohemian Rhapsody, via foxmovies.com

Watching Bohemian Rhapsody through the eyes of dancer, there's a certain element of the movie that's impossible to ignore: Rami Malek's physical performance of Freddie Mercury. The way he so completely embodies the nuances of the rock star is simply mind-blowing. We had to learn how he did it, so we called up Polly Bennett, the movement director who coached him through the entire process.

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25 to Watch
Photo credits, clockwise from bottom left: Peter Mueller, Courtesy Cincinnati Ballet; Jayme Thornton; Jochen Viehoff, Courtesy Stephanie Troyak; Karolina Kuras, Courtesy National Ballet of Canada; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Kim Kenney, Courtesy Atlanta Ballet; Jim Lafferty; Arian Molina Soca, Courtesy Pennsylvania Ballet; Altin Kaftira, Courtesy Dutch National Ballet; Scott Shaw, Courtesy Shamar Wayne Watt

What's next for the dance world? Our annual list of the dancers, choreographers and companies that are on the verge of skyrocketing has a pretty excellent track record of answering that question.

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Enough! www.youtube.com

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Dance in Pop Culture
The 2016 Broadway revival of CATS. Photo by Matthew Murphy

If the news about the upcoming CATS movie has your head spinning, we're right there with you. It seems like every week we have a bit more to share about the new film adaptation, which is set to release in December 2019. So, in order to keep it all straight, we present you with our master list of everything we know—our version of "The Naming of Cats," if you will. We'll add updates as they emerge.

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Ramasar and Catazaro, photos via Instagram

New York City Ballet fired principal dancers Amar Ramasar and Zachary Catazaro on Saturday. Both had initially been suspended until 2019 for engaging in "inappropriate communications," while principal Chase Finlay, who was the instigator of those communications, resigned. (Although, in a statement on Saturday, NYCB made it clear they had decided to terminate Finlay prior to his resignation.)

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Dance in Pop Culture
Albert Watson, courtesy of Pirelli Calendar

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Albert Watson, courtesy of Pirelli Calendar.

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Dance Magazine Awards
Clockwise from top left: Crystal Pite, photo by Michael Slobodian; Lourdes Lopez, photo by Alexander Iziliaev; Michael Trusnovec, photo via Instagram; Ronald K. Brown, photo by Julieta Cervantes

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Dance in Pop Culture
Julia Roberts is one of 12 celebs Justin Peck choreographed on. Photo by Philip Montgomery, Courtesy NYT Mag.

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Health & Body
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Joy Womack prioritizes napping before a show. Photo by Quinn Wharton for Pointe magazine.

As research has revealed the benefits of short daytime naps, power-napping advice has proliferated, and more dancers are choos­ing to include a nap in their pre-performance routines. Approaching napping strategically will help you get the most out of an afternoon snooze.

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In Memoriam

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The church filled with family, artistic friends, fans and admirers. What was most gratifying was the volume of DTH alumni from the school, company and organization who traveled across the globe to pay their respects, from founding members to present dancers and students. The house of worship was filled with the sentiment of a family reunion. As Mitchell was sent home, it was a homecoming for many who have not shared air together in decades. What was palpable was the authentic bonds that Dance Theatre of Harlem and Mitchell fostered in all.

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Rant & Rave
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