In some ways, APAP (Association of Performing Arts Presenters) makes the dance world go round. Without this annual meeting ground of presenters and small performing arts groups from all over the country, very few dance companies would get work. Yes, you can send your video to a potential presenter, but if they can see you perform live, they are more likely to know if your work is right for their audience.
APAP showcases are spread throughout NYC and they cover the gamut—muscular modern, chamber ballet, minimal conceptual, tap, urban dance, classical Indian and more. I attended only five of the hordes of showcases (40 groups were listed at the Ailey building alone in the last two days). It’s hard to keep track but even if you’re not a presenter, APAP provides a chance to catch up on your favorite artists’ current work and see groups new to you. It can be as thrilling to rediscover an old flame as to discover a new name.
Getting gigs through APAP means that the people who book you can see your offstage personality too. Cynthia Oliver showed BOOM! at the Live Artery series at New York Live Arts, and the crowd could see not only that she had created a gutsy, funny, harrowing duet, but also, in the brief talk afterward, that she speaks easily and eloquently about her work.
For me it was a chance to see out-of-town artists I hadn’t seen before, for instance San Francisco’s Keith Hennessy in his shamanistic Bear/Skin solo, as well as work by cherished New York artists that I can’t always keep up with. Tere O'Connor, Miguel Gutierrez (both part of American Realness) and John Jasperse (in Live Artery) always push the boundaries in ways that are stimulating.
Anyone who has a hankering for Israeli dance would have enjoyed Out of Israel, the showcase of five excerpts at the 92nd Street Y’s Harkness Dance Center. Zvi Gotheiner’s energized dancers threaded through his spirited Dabke. Idan Porges, a performer who blew me away in Barak Marshall's Rooster a few years ago, is now making his own work—very much his own. In Danielle Agami’s new piece, For Now, each dancer breaks out of a mask of diffidence to explode in their own way.
I was happy to see a new showcase titled Emerging Women of Color at the Ailey building, organized by dancer-turned-booker Francine Sheffield. I was impressed by strong work from Ananya Chatterjea’s fierce, Odissi-based women of Minneapolis and Christal Brown/Inspirit’s foray into the life of Muhammad Ali. I also discovered a new name, Danielle Russo, an NYU grad who paired two guys in a gripping battle between aggression and intimacy. Weird confrontations—chin to throat, crown of head to chest, violent crashing into confident strutting—locked these two in a sweaty, sexy world of their own.
There’s one more day to APAP and I am not done seeing things or taking workshops. Whether you’re on the giving or getting end, I hope you enjoy it.
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Inside one of Interlochen's brand-new dance studios. Courtesy Interlochen Center for the Arts
Interlochen’s New Breathtaking Dance Center Is Ready for Class
Studio Spotlight
The northern section's three bright, cavernous studios are a dream, boasting 16-foot ceilings and an uninterrupted space that is devoid of columns—a luxury for studios of this size. Additionally, each studio features eight-foot-tall windows looking out onto Green Lake and beautiful Michigan woods. "We were rehearsing Swan Lake last year and the scenery was right there behind the dancers," Morrissey recounts. "Just look to your left, and you really were dancing on Swan Lake."
In addition to the breathtaking aesthetics, the new studios feature sprung marley floors, professional lighting grids, state-of-the-art sound systems, large-screen televisions for virtual guest artists and sophisticated climate control.
Interlochen Dance Center
Courtesy Interlochen Center for the Arts
A Central Hub for Dance
Interlochen's upgrade doesn't stop at the studios; the school renovated its whole dance center. The Nancy Hoagland Wing is a central hub for student dancers, with modern locker rooms with showers and a comfortable lounge to rest and work in between classes. With multiple studios and abundant space, all Academy and summer Arts Camp programs now operate from this central location, with the ability to run separate rehearsals and classes simultaneously.
Life at Interlochen
Ava Blain, Interlochen Arts Academy third-year student, knew she wanted to prioritize her dance training alongside her high school education. "I love the balance of arts and academics here at Interlochen," she says. "The academic teachers are all very understanding. They know you are devoted to your art, and work to integrate academics harmoniously."
At the Academy, classes are divided into two blocks: an academic block and an artistic block. Around 8:30 am, Interlochen Academy students start their academic classes, consisting of high-school level courses like English, math, science, history, and either Spanish or French. Following a morning of academics, the dance students have a break to get ready for their artistic block of classes at the Dance Center. Dance majors take a mix of classical ballet technique, contemporary, pointe, dance conditioning and repertoire, as well as rehearsal.
Taking the Stage
Fourth-year Academy student Taylor Jones, of New Jersey, didn't always picture herself at Interlochen. In fact, she didn't necessarily see herself going out of state for high school, but she knew she wanted to seriously study dance. After looking at other performing arts high school programs and self-reflecting, Interlochen rose to the top of her list: "When it came down to it, Interlochen was the best fit for me, both artistically and personality-wise, considering all of our incredible teachers and performing opportunities."
Jones admits that she's always been pretty independent, but, of course, moving away from home at 14 years old was still an adjustment. "The community here at Interlochen made it easy to adjust to the culture," she says.
Joseph Morrissey, Interlochen's director of dance, coaching students
Courtesy Interlochen Center for the Arts
Interlochen Arts Academy dance majors perform in four staged performances—two full ballets and two mixed-repertoire shows—each school year. In addition to performances in the theater, students can also take part in local touring opportunities (talk about prepping for dance-company life!).
Jones says she'll always remember rehearsing and performing her first full-length ballet, Swan Lake, at Interlochen and then taking it on tour. "Having the experience of being able to do so much in one performance at 14 is mind-boggling," she says.
Outside of technique classes and performances, dance majors are a part of Interlochen's larger ecosystem of young artists, which includes majors in creative writing, film and new media, interdisciplinary arts, music, theater, and visual arts. "I feel inspired being around such creative energy every day," says Blain. "You get the opportunity to explore other art forms through your friends, which is really unique."
Summer at Interlochen
For students looking to further their training away from home for a shorter duration, Interlochen hosts various dance opportunities during the summer. Offering multiple sessions ranging from two to three weeks for dancers grades 3–12, Interlochen summer programs focus on either classical ballet or contemporary dance. Additionally, Interlochen offers one-week intensives (starting June 18, 2022) in classical ballet, contemporary or hip hop.
Applications for both Interlochen Arts Academy and Interlochen Arts Camp are currently open online (with virtual auditions submissions). January 15, 2022, is the regular-decision deadline for Interlochen Arts Academy and the priority deadline for Interlochen Arts Camp. Financial aid is available and awarded on a rolling basis, so prospective students are encouraged to apply early.
