Photo by Sarah Silver, Courtesy Stephen Petronio Company
NEW YORK CITY Stephen Petronio continues full steam ahead with his Bloodlines series, a tantalizing window into the rich past of postmodern dance. His season at The Joyce includes five short historical works: three by Judson Dance Theater co-founder Yvonne Rainer, an excerpt from Steve Paxton's Goldberg Variations (1986) and a solo choreographed by dance legend Anna Halprin. This last one, The Courtesan and the Crone, performed by Petronio himself, is done as a formal seduction in ritual mask and ceremonial robe to Baroque music. Halprin made it when she was 79—the "wrong" age to be seductive—and has given it to Petronio—who is the "wrong" gender to be seductive. Rainer's Chair Pillow (1969), on the other hand, is fun and informal, with dancers tossing pillows to pop music. A new piece by Petronio rounds out the bill. March 28–April 2. petron.io.
The cast of Dragon Spring Phoenix Rise in rehearsal. Photo by Stephanie Berger, Courtesy The Shed
Akram Khan loves to dive into genres he is unfamiliar with. While his own movement vocabulary is a hybrid of kathak and contemporary dance, he has choreographed a new Giselle for English National Ballet, collaborated with flamenco artist Israel Galván and made a dance theater duet with film star Juliette Binoche. Now, in between touring Xenos, his final full-length solo, and several other projects, he's found time to tackle kung fu. Khan is part of the collaborative team behind Dragon Spring Phoenix Rise, a blockbuster musical based on themes of migration and the fight for survival, running June 22–July 27. Directed by Chen Shi-Zheng and featuring a score that remixes songs by Sia, it's part of the inaugural season of The Shed, a new venue in New York City.