Rashaun Mitchell + Silas Riener, PC Charles Villyard

Rashaun Mitchell + Silas Riener Keep Challenging Conventions For The Joyce's Quadrille Series

In 2016, Lar Lubovitch decided that New York City's Joyce Theater needed a new look. He envisioned extending the stage outward so that audiences could sit on all sides. And that is pretty much what happened for his Quadrille series, and it was so refreshing that the series returns this year, with a new bunch of intrepid choreographers. I say intrepid because the choreography may be seen from unplanned angles, and the dancers are more exposed.

For the audience, if you're sitting under hundreds of lighting instruments overhead, you naturally feel like you are onstage. And if you're sitting in the usual seats, you see the performers onstage, with half the audience behind them. The whole set-up can be pleasantly disorienting.


Next up in the Quadrille series are Rashaun Mitchell and Silas Riener, who have been challenging conventions for years—which is why they appeared on the cover of our issue on dance renegades. In their new piece, SWITCH, the dancers navigate between set choreography and any impulse of the moment that may strike them as desirable. It may sound a bit chaotic, but it's clear that Riener and Mitchell are again challenging a convention: the assumption that choreography is made up of steps.

The whole series runs until October 13, and Mitchell + Riener are October 2–6.

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Clockwise from top left: Photo by Loreto Jamlig, Courtesy Ladies of Hip-Hop; Wikimedia Commons; Photo by Alexander Iziliaev, Courtesy Pennsylvania Ballet; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Photo by Will Mayer for Better Half Productions, Courtesy ABT

The 10 Biggest Dance Stories of 2019

What were the dance moments that defined 2019? The stories that kept us talking, week after week? According to our top-clicked articles of the year, they ranged from explorations of dance medicine and dance history, takedowns of Lara Spencer and companies who still charge dancers to audition, and, of course, our list of expert tips on how to succeed in dance today.

We compiled our 10 biggest hits of the year, and broke down why we think they struck a chord:

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Christopher Duggan, Courtesy Nichols

I Am a Black Dancer Who Was Dressed Up in Blackface to Perform in La Bayadère

On Instagram this week, Misty Copeland reposted a picture of two Russian ballerinas covered head to toe in black, exposing the Bolshoi's practice of using blackface in the classical ballet La Bayadère. The post has already received over 60,000 likes and 2,000 comments, starting a long overdue conversation.

Comments have been pouring in from every angle imaginable: from history lessons on black face, to people outside of the ballet world expressing disbelief that this happens in 2019, to castigations of Copeland for exposing these young girls to the line of fire for what is ultimately the Bolshoi's costuming choice, to the accusations that the girls—no matter their cultural competence—should have known better.

I am a black dancer, and in 2003, when I was 11 years old, I was dressed up in blackface to perform in the Mariinsky Ballet's production of La Bayadère.

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Here's the First Trailer for the "In the Heights" Movie

Lights up on Washington Heights—because the trailer for the movie adaptation of the hit Broadway musical In the Heights has arrived. It's our first look into Lin-Manuel Miranda's latest venture into film—because LMM isn't stopping at three Tony awards, a Grammy award, and an Emmy.

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