Day in the Life
Ellie Cotey at work in The Joffrey Ballet's costume shop. Photo by Temur Suluashvili, Courtesy Joffrey.

Building a full-length ballet from scratch is an intense process. For the world premiere of Anna Karenina, a collaboration between The Joffrey Ballet and The Australian Ballet, that meant original choreography by Yuri Possokhov, a brand-new score by Ilya Demutsky, costume and set designs by Tom Pye and lighting designs by David Finn.

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News
Boris Eifman in 2013, photo by Dmitriy Dubinskiy via Wikipedia Commons

In the 1970s, the Soviet government withdrew Boris Eifman's passport and declared his work pornographic. Today, he has funding from the Russian government for a state-of-the-art school and a company that travels the globe for several months each year. Last year alone, Eifman Ballet presented six different programs on the Bolshoi's historic stage.

What He Has To Say: With Eifman's Anna Karenina running at New York's Lincoln Center this week, Dance Magazine asked him about how he became embraced by Russia, and his thoughts on performing in Balanchine's house.

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