Meet Cira Robinson, Senior Artist with Ballet Black
Meet Cira Robinson, who trained under Arthur Mitchell at Dance Theatre of Harlem and joined London’s Ballet Black in 2008.
Meet Cira Robinson, who trained under Arthur Mitchell at Dance Theatre of Harlem and joined London’s Ballet Black in 2008.
Join Dance Magazine for an online master class in petit allegro with Courtney Nitting of Kansas City Ballet on Monday, June 27, 2022.
From Manon’s bedroom pas de deux to Sonya Tayeh’s entwined ensembles in Moulin Rouge! The Musical, intimacy is everywhere in dance. Here’s how intimacy coordinator Anisa Tejpar helps dancers feel safe.
There’s more than one path to ballet success. We got the scoop from four indie ballerinas, who shared their journeys to freelancing, their daily must-dos and the rich opportunities of a solo career.
Susan Jaffe will succeed Kevin McKenzie as American Ballet Theatre’s new artistic director, starting in December 2022.
I was diagnosed with autism a few months ago, at age 25, but I’ve been autistic my whole life. In many ways ballet class has been a safe place for me, even before I knew why I craved routine, environments with explicit rules, and social situations that don’t necessitate talking.
Raise your hand if you knew that the shape of your feet can change over time. If you did, you’re smarter than me and I respect that. If you didn’t, welcome to the club! After nine years off of dancing, the last thing I anticipated to be a problem in my training was my feet. […]
Arthur Mitchell was my mentor. He was the miracle who crossed my path and introduced me to the world of professional ballet.
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