From major tours to noteworthy premieres to Hollywood-inspired musicals (and one movie musical), here are 28 shows on our contributors’ must-see lists.

An American company crossing the pond for the first time, festivals centering Asian dancemakers, premieres responding to colonization, transgender identity, audience relationships, and more—the performance landscape over the next two months is overflowing with possibility. Here’s what’s at the top of our lists.

How can aspiring professional dancers navigate this complicated phase of their careers? According to the experts, the key is identifying programs that nurture young dancers without taking advantage of them.

Iris R. Dávila didn’t plan on becoming a ballet dancer. “It was sort of a mistake!” says the second-year BalletMet artist. Growing up in Puerto Rico, she excelled in gymnastics and swimming, and took her first ballet class at age 11 because a friend was in it.

What’s next? Our annual list of dancers, choreographers and companies on the verge of breaking through offers several answers to the question of where our field is headed. We’re betting we’ll be seeing—and hearing—more from these 25 artists not just this year, but for many more to come.

What’s the best way to extend the life of your favorite leotard or piece of workout wear? Aside from fabric quality, it largely comes down to what you do on laundry day. We spoke with Erin Rollins, costume shop manager at BalletMet, for her top tips on keeping your beloved dancewear in rotation for years […]

What did our readers care about most in 2018? Judging by our top-clicked stories, topics as broad as confronting a bullying teacher, investigating how Instagram has impacted the dance world and advocating for dance as an intellectual pursuit were the biggest stories in dance this year. But our biggest hit, published just earlier this month, […]

When Lisset Santander bourréed onstage as Myrtha in BalletMet’s Giselle this past February, her consummate portrayal of the Queen of the Wilis was marked by steely grace and litheness. The former Cuban National Ballet dancer had defected to the U.S. at 21, and after two years with the Ohio company, she’s now closer to the […]