Florian Lochner and Alice Klock met while dancing with Hubbard Street Dance Chicago. They quickly became best friends and roommates, and in 2017 started a company called Flock. Together they create and perform their own work, teach as a team, create new pieceson schools and companies, and produce their own shows in the U.S. and abroad. Dance Magazine recently followed Alice and Florian for a day as part of our "Behind the Curtain" web series.
From left: Bass, Glass and Barnes. Photo by Adrianne Mathiowetz, Courtesy Three Acts, Two Dancers, One Radio Host.
Monica Bill Barnes, Anna Bass and Ira Glass. While one of these is not like the other, the uncanny combination has made the touring show Three Acts, Two Dancers, One Radio Host a runawaysuccess. It's the subject of the latest episode of Dance Magazine's web series "Behind the Curtain," which follows choreographer and performer Barnes to Durham, North Carolina, where she, Bass and Glass were mounting their show. Be a fly on the wall as she tests out set pieces in tech rehearsal, warms up backstage and mingles at a post-show reception (fireworks included).
Three Acts, Two Dancers, One Radio Host is a feast for the eyes—full of sequins and balloons—and the episode gives viewers a peek at many of its dance numbers. Even more interesting, though, is seeing Glass, host of "This American Life," navigate and understand Barnes' creative process, as well as what it takes to be a dancer. During one moment at the theater, he remarks on how many hours a day Barnes and Bass spend dancing between rehearsals and shows. How do they do it? "That's because you're not human," he says.
The show starts with Glass suggesting talking as a way to open. (Of course, the show has already begun.) Barnes disagrees, saying that movement would be a stronger choice. But, contests Glass, talking can plant an idea in the audience's heads to help set up the show. Not missing a beat, Barnes fires back: "I think the idea is movement."