Tai Jimenez spent 12 years as a principal dancer with Dance Theatre of Harlem. She has been chosen to lead the DTH School when its current director, Robert Garland, becomes the company’s artistic director.

Ballet didn’t take center stage for Boston Ballet principal Chyrstyn Fentroy until she was 18. Her late start, and the tenacity that helped her overcome it, would lead to an illustrious career with Dance Theatre of Harlem and Boston Ballet. With her crisp, clear-as-a-bell technique, radiant stage presence and spellbinding command of an audience, Fentroy’s uncertain beginning is difficult to imagine now.

Superhuman. Otherworldly. Next-level. Jeffrey Cirio has reached the top rank of three world-renowned companies—Boston Ballet, American Ballet Theatre and English National Ballet.

When Boston Ballet principal John Lam was first introduced to broccoli rappi (also known as broccoli rabe or rapini) by his Italian husband, he wasn’t a fan of the bitter taste, nor the traditional preparations, which he found either too soggy or too al dente for his liking.

All of our performance picks this month—an evening length ballet and an off-Broadway musical, mixed bills and multi-choreographer projects—feature intriguing premieres from an impressive array of dancemakers

Here are the latest promotions, appointments and departures, as well as notable awards and accomplishments, from the last month.

When Mel Tomlinson made his New York City Ballet debut in November 1981, the then-27-year-old was already a well-known figure to New York audiences. He appeared with Dance Theatre of Harlem beginning in 1974 and, other than a two-year break to join Alvin Ailey American Dance Theater, remained an electric presence there until his surprise […]

While “subject to change” is a given these days, here’s what we’re most excited to catch if all goes as planned during the 2021–22 season. Who Was It For? Clarissa Dyas RJ Muna, Courtesy Joe Goode Performance Group Are you ready to revisit the Summer of Love? With Time of Change, the Joe Goode Performance […]