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Last night, longtime theater legends (including Chita Rivera herself!) as well as rising stars gathered to celebrate one of Broadway's danciest events: the third annual Chita Rivera Awards.

The evening paid tribute to this season's dancer standouts, fabulous ensembles, and jaw-dropping choreography—on- and off-Broadway and on film.

As usual, several of our faves made it into the mix. (With such a fabulous talent pool of nominees to choose from, we're glad that ties were allowed.) Here are the highlights from the winner's list:

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Dance on Broadway
Amber Gray and the cast of Hadestown. Photo by Helen Maybanks, Courtesy DKC/O&M

The Tony Award nominations were announced yesterday morning, and, as always, they gave us a lot to talk about.

Could Hadestown sweep the awards? Why didn't John Heginbotham's work on Oklahoma! garner him a Best Choreography nomination? What musical numbers will the nominated shows bring to the ceremony on June 9? To discuss, we gathered a group of musical theater–loving editors from Dance Magazine and Dance Spirit for a roundtable conversation about the nominees.

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Dance on Broadway
The set for last year's ceremony. Photo by Stephanie Berger, Courtesy The Tony Awards

The biggest weekend in Broadway is finally upon us: The Tony Awards are this Sunday (airing at 8 pm EST on CBS). While other media outlets might be busy forecasting winners, we're speculating about the dancing we might get to see during the broadcast.

Needless to say, we have a few ideas.

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Dance on Broadway
The Angel (Beth Malone) and her Shadows address Prior Walter (Andrew Garfield) in Angels in America Part Two: Perestroika. Photo by Brinkhoff & Mögenburg, Courtesy DKC/O&M

The first part of Angels in America ends with a bang: Prior Walter, the character we've followed for roughly three and a half hours as he weathers the AIDS crisis in 1980s New York City, sees an Angel crash through the ceiling. She beats her wings, hovering over the man cowering in his bed, and intones, "Greetings, prophet. The great work begins!" It's an immensely satisfying conclusion to Part One, and makes audiences that much more eager to get to the second.

But how do you make an angel fly?

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