Unlike lyrics or lines preserved in scores and scripts, a show’s movement is ephemeral, passed from body to body with every new cast. Ensuring that the choreography and staging stays true to the original is crucial to the integrity of a show. Such is the task of Wicked’s associate choreographer Corinne McFadden Herrera, who has been with the production from its inception in 2003.

In “Bob Fosse’s DANCIN’,” 27-year-old Kolton Krouse, who is nonbinary, performed a track that included roles in both heels and flats. It was a significant step toward inclusivity that also felt natural. Fosse asked dancers to be themselves onstage; “DANCIN’” simply showed Krouse as Krouse.

From major Broadway transfers to a jazzy anniversary extravaganza (and much more in between), March’s performance calendar is chock-full of excitement. Here’s what we’re making time in our schedules to see.