Gemma Bond in the studio with ABT's Cassandra Trenary. Jim Lafferty.
If like us you're already mourning the end of American Ballet Theatre's marathon Met season, don't fear. The company just announced the lineup for its fall season, and there's a lot to look forward to.
Running October 16-27 at Lincoln Center's David H. Koch Theater, ABT's fall lineup includes world premieres by choreographers Twyla Tharp and Gemma Bond. While Tharp has been creating for ABT since 1976 (the company's Met season included a trio of her works), corps dancer Gemma Bond will be making her choreographic debut for ABT's main company. The season also shines a spotlight on principal Herman Cornejo, who will be celebrating his 20th anniversary with the company.
Glenn Allen Sims and Linda Celeste Sims (here in Christopher Wheeldon's After the Rain) are couple goals both onstage and off. Photo by Paul Kolnik, Courtesy Alvin Ailey American Dance Theater
No matter how much anti–Valentine's Day sentiment I'm feeling in a given year, there's something about dancer couples that still makes me swoon. Here's a collection of wonderful posts from this year, but be warned: Continued scrolling is likely to give you a severe case of the warm fuzzies.
Tiler Peck, Christopher Grant and Roman Mejia in Peck's choreographic debut: Lincoln Square. Photo by Erin Baiano, courtesy Vail Dance Festival
Last week, Dance Magazine's owner Frederic Seegal visited the Vail Dance Festival. He was so excited by what he saw there that he wanted to share with Dance Magazine readers a few of the highlights that made the biggest impression on him.
Having been fortunate enough to be on the board of New York City Center when Arlene Shuler introduced Fall for Dance in 2004, I never thought that I would see anything that could rival its inventiveness, assemblage of talent and audience enthusiasm. That is, until this week when I spent fours days at the Vail Dance Festival.
For us, Cornejo's lines will always be #goals. Photo by Lucas Chilczuk, courtesy Cornejo
Whenever World Cup season comes around, Herman Cornejo is as happy as a kid on Christmas morning.
"Since I joined ABT 20 years ago, every time there's a World Cup, we are also at the Met," says the American Ballet Theatre principal. "It's the biggest event in soccer happening simultaneously with being able to dance on the Met stage!"
Like most Argentinians, Cornejo grew up playing "the beautiful game," first with his dad when he was little, then more seriously at school from ages 10 to 14. He was a natural, playing forward because he loved scoring. "For me, it was quite easy," he says. "But my passion for dance was stronger, so I had to stop playing to prevent any injuries."
This summer's Vail International Dance Festival features the biggest stars in dance.
Lil Buck and Tiler Peck at Vail 2013. Photo by Erin Baiano, Courtesy Vail.
Since Damian Woetzel took over Colorado’s Vail International Dance Festival in 2007, audiences have come to expect novelty: diverse styles of dance, collaborations between of-the-moment stars and re-envisioned classic works with unusual casting. The 2014 festival, which takes place from July 27–August 9, is even more high-profile than previous years. It will showcase some of dance’s most in-demand artists, including New York City Ballet’s Tiler Peck and Robert Fairchild, Charles “Lil Buck” Riley and American Ballet Theatre’s Herman Cornejo, Vail’s artist in residence this year. “The idea of collaboration is central. What happens when two worlds collide?” says Woetzel. “The works themselves are brought alive in new ways by having new people dance them. It’s a unique experience for the artists and the audience.”
Woetzel’s approach is one of many reasons why performers look forward to spending a portion of their off season, up to two weeks, in Vail, year after year. “It’s like an exchange program,” says Pacific Northwest Ballet principal Carla Körbes, who will dance at the festival this year for her seventh time, in a work by Brian Brooks. “You learn about other companies in a more in-depth way, and they learn about you.”
This summer, as usual, the dancers will take on unconventional repertoire: Peck, Fairchild and Cornejo will perform a new version of Martha Graham’s Letter to the World (1940), with the Martha Graham Dance Company. Cornejo will also make his “Rubies” debut alongside Peck in the ballet’s leading roles, with Pennsylvania Ballet dancing the corps. Other highlights include the Royal Ballet’s Beatriz Stix-Brunell, Lauren Cuthbertson and Matthew Golding; crewmates Lil Buck and Ron “Prime Tyme” Myles; and a TV evening with “Dancing with the Stars” pro Anna Trebunskaya and “So You Think You Can Dance” alums Alex Wong, Amy Yakima and Du-Shaunt “Fik-Shun” Stegall. In choosing the pieces for each evening, Woetzel says, “it’s a real matter of stretching the work and highlighting how dancers in the 21st century adapt to different challenges. We’re showing the range of what dance can be today.”