Rena Butler sitting on the floor watching two dancers partner in the studio

How to Make a Role Your Own Without Losing the Choreographer’s Intention

There’s an inherent tension anytime a new dancer breathes life into an existing work onstage. Interpreting a role is always a push and pull, says Ronni Favors, rehearsal director for Alvin Ailey American Dance Theater, between what the performer brings and what was already there. “Alvin said, ‘I like dancers who can color movement, who […]

What Does It Mean to Be a Ballet Company's "Scholar in Residence"?

A scholar of Russian literature and culture, Dr. Natalie Rouland works for the Kennan Institute, a DC think tank invested in building bridges between the United States and Russia. She also advises The Washington Ballet’s artistic director Julie Kent on staging classical ballets, serving as the company’s first scholar in residence. A native of Lexington, […]

This Ballet Summer Program Emphasizes Artistry Over Technique

“Julie Kent was my first ballet crush,” Harry Warshaw admits with a shy smile. The curly-haired 17-year-old has just learned a variation from Swan Lake. “I remember watching Center Stage when I was about 10 or 11 just to see her.” Now he is taking technique class with the former American Ballet Theatre star and […]

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