Tag: kate ladenheim

6 of Our Favorite Digital Dance Projects to Come Out of Quarantine

Limitations foster creativity. While unable to gather in person due to COVID-19, dancers, choreographers and companies have taken to the internet to create new projects conceived for the digital sphere. Here are just a few of our favorites. Redefining Bravery Mei Yamanaka in her as sure as sure can be Mei Yamanaka, Courtesy Ladenheim Curated […]

What Are the Potential Military Applications of Teaching Robots to Dance?

There’s a good chance you’ve seen the YouTube video where a doglike robot named Spot dances to a cover of “Uptown Funk.” Spot does a variation on the running man (the running dog?), twerks and sashays. Equally adorable and uncanny, it’s a fascinating piece of choreography. All the more so since it was recently announced […]

The Well-Read Dancer: Book Recs From The People Movers' Kate Ladenheim

The subject matter Kate Ladenheim tackles, not to mention the way she tackles it, is often wildly ambitious—a multipronged series digging into internalized misogyny and the social impact of glass ceilings, for example, or a farcical meditation on what it takes to “make it” as an artist, told largely through social media. It should come […]

How Kate Ladenheim's New Video Series Tackles Women's Internalized Misogyny

It’s a standalone dance film series, a nuanced examination of contemporary feminism and an evocative teaser trailer for an upcoming performance—it wouldn’t be a project by Kate Ladenheim, artistic director of The People Movers and one of our “25 to Watch,” if it wasn’t daringly ambitious. Glass is the multi-hyphenate’s latest creation, a four-pronged project […]

25 to Watch 2018: Kate Ladenheim

Kate Ladenheim’s dances share many attributes with their maker, namely their vibrancy, urgency, awkwardness and frequent brilliance. Her representations of hackers, botnets and DDoS attacks in her dance HackPolitick (which references the internet collective Anonymous) as performed by her Brooklyn company, The People Movers, won her the honor of being quite possibly the first contemporary […]