It can be hard to imagine life without—or just after—dance. Perhaps that's why we find it so fascinating to hear what our favorite dancers think they'd be doing if they weren't performing for a living.
We've been asking stars about the alternate career they'd like to try in our "Spotlight" Q&A series, and their answers—from the unexpected to the predictable—do not disappoint:
New Miami City Ballet corps member Itzkan Barbosa and her mother Miriam Barbosa pose atop a mountain of Itzkan's pointe shoes. Alexander Iziliaev, courtesy Miriam Barbosa.
On the morning of May 1, Miriam Barbosa posted a photo of her daughter, Itzkan, on Facebook. The image itself is striking—Itzkan stands smiling on pointe in front of Miami City Ballet, where she has spent the last year as a pre-professional student, perched atop a mountain of old pointe shoes of all different sizes.
But it's the story behind the picture that's inspired so many people to comment their congratulations and appreciation.
The photo contains every single one of Itzkan's pointe shoes, from her very first pair up until the moment she got her first professional contract as a corps member with MCB last month.The imagenot only calls attention to the hard work and dedication necessary for young dancers to achieve their dreams, but to the sacrifices parents make to help them get there.
Jovani Furlan in George Balanchine's Walpurgisnacht Ballet. Daniel Azoulay, Courtesy NYCB.
New York City Ballet announced on Facebook earlier this week that current Miami City Ballet principal Jovani Furlan will be joining the company as a soloist this fall. Furlan, a native of Joinville, Brazil, left Brazil's Bolshoi Theater School in 2011 to train at the MCB School; he joined the company as an apprentice in 2012 and has quickly made his way through the ranks.
Adam Sklute (seated far right) at a Ballet West audition. Photo by Jim Lafferty
Audition classes may not differ much from any other class—but directors have ways of sussing out who has what they're looking for. We spoke to three artistic directors to get their perspective from the front of the room.