In The Studio
Robert Altman

Dancer/choreographer Ephrat "Bounce" Asherie's background is a melting pot of cultures from all over the world—which you can vividly see reflected in her work. But the recent Harkness Promise Awardee attributes the cross-pollination of genres in her work to more than just her background.

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Marion-Skye Brooke Logan in "Eomeoni."

This minimalistic video by Kathy Escobar features Marion-Skye Brooke Logan dancing around a dark studio through a blend of classical ballet and modern movements. Often she appears to be reveling in her instinctive contractions and repetitive bourrée. Other times it is as if she is battling something from within. The music is Violin Concerto Mouvement. IV by Unsuk Chin played by Viviane Hager.

“Eomeoni" by Marion-Skye youtu.be

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Dancer Voices
Limón Dance Company in Missa Brevis. Photo courtesy of the José Limón Dance Foundation.

Some people believe that only new dances should be supported and seen live. By extension, they question the necessity of reconstructing older works, arguing that they should remain in the vault, or saved for archival viewings.

To some extent, I see their point. Room should be made for new voices and new works.

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In The Studio
Lar Lubovitch Dance Company performing Men's Stories. PC Steven Schreiber

Since starting his company in 1968, Lar Lubovitch has stood at the forefront of modern dance—although he is hesitant to label his work as "modern."

"I've always felt I've been making dances," he says. "I've always called them dances and I've never been one to exclude any language of movement. When I'm making a dance it's sort of an essay of all the movement I have in my body of all the dance I've studied."

After 50 years of creating dances, his work is still as technical and humanistic as ever.

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