What happens when a show’s creative vision includes a total overhaul of the theater’s playing space, eliminating the familiar stage-and-seating setup in favor of something more immersive? What goes down with the dancing when the physical boundaries between the audience and the cast become less defined—or even nonexistent?

The Stage Directors and Choreographers Foundation has launched a revamped initiative for early-career choreographers and directors: the Professional Development Program.

Could the hottest new ticket in dance be at sea? While Virgin Voyages will offer immersive dance theater on its maiden ship the Scarlet Lady, Celebrity Cruises is bringing guests closer to the stars through a partnership with American Ballet Theatre. With these new ventures, Celebrity and Virgin will bring bespoke dance experiences to their […]

Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union’s 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed […]

Earlier this year, Ari Groover faced the ultimate Broadway champagne problem: She was offered a contract for both Summer: The Donna Summer Musical and Head Over Heels. She ultimately chose Head Over Heels, and watching her in the show, it’s easy to see why she’s in such demand: Groover is a consummate storyteller, imbuing Spencer […]

In 2017, Sam Pinkleton’s choreography appeared on three Broadway stages simultaneously: in Natasha, Pierre & The Great Comet of 1812, Amélie and the play Significant Other. But until recently, he didn’t even feel comfortable calling himself a choreographer. Pinkleton, 30, studied directing at New York University, where his relentless enthusiasm and “willingness to jump off […]

I first got hooked on Broadway musicals as a preteen at Gypsy, with its tapping moppets, gyrating burlesque queens and Tulsa, the dancing heartthrob. I’ve been going ever since, but Dance Magazine has been at it even longer. The 1926-27 Broadway season was just ending when DM began publication, and of its 200-plus shows, dozens […]

It’s Broadway awards season, and tons of our favorite dancers and choreographers are getting big-time recognition. The Tony Award nominations were announced yesterday and the Best Choreography finalists include: Andy Blankenbuehler for Bandstand Peter Darling and Ellen Kane for Groundhog Day Kelly Devine for Come From Away Denis Jones for Holiday Inn Sam Pinkleton for […]