Three Broadway Luminaries on Choreographing Straight Plays
“It’s about the storytelling,” says Susan Stroman. “It’s about when the audience walks in, what are they gonna see?” says Sonya Tayeh. “It’s such a weird, such a specific thing in the industry,” says Sam Pinkleton. The “it” is choreographing plays—which can mean adding subtle movement that never registers as choreography, or creating an unapologetic, […]