The Stage Directors and Choreographers Foundation has launched a revamped initiative for early-career choreographers and directors: the Professional Development Program.
With Susan Stroman in charge of the new stage musical, opening this month at the St. James Theatre, the dancing will be front and center. Like Jerome Robbins and Bob Fosse before her, she’s a director-choreographer who should really be called a choreographer-director.
Missed the livestream? Get access to the 2021 Dance Magazine Awards on demand here. One of my favorite things about the Dance Magazine Awards has always been the sense of worlds colliding—the way luminaries from different corners of our industry who you’d likely never see sharing a stage or a program come together for this […]
If you’ve ever wanted to master the iconic jazz-class combo from Center Stage, now’s your chance. In celebration of the movie’s 20th anniversary, choreographer Susan Stroman is teaming up with Broadway Dance Center and Open Jar Studios to lead a tutorial on the infectious “Higher Ground” routine for the first time ever. Join Stroman, a […]
“Life can be so rich and wonderful when we step off the logical path and embark on eccentric adventures.” For a sentiment that sounds like it belongs in a fortune cookie, you’d never expect that Steve Young is actually referencing a subset of offbeat, secret musicals: Shows about toilets and tractors and dog food and […]
Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union’s 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed […]
Some people take this profession as just a chapter of their life. They feel like dance is a job—a fun job, but a job. Other people live their life through dance. I never considered being a ballerina a profession. It’s a lifestyle. If I don’t have a performance, I feel like a tiger trapped in […]
With his debonair charm and fluent feet, Tony Yazbeck seems built for ebullient men like Gabey in On the Town, who earned him a 2015 Tony nomination. But he’s riding high at the moment dancing nervous breakdowns. First, there was his fierce, knife-edged tapping in Prince of Broadway, which just won him a Chita Rivera […]