Glenn Kotche of Wilco created and performed the score for Danielle Agami's calling glenn. Photo by Cheryl Mann, courtesy Ate9
Balanchine and Stravinsky. Cunningham and Cage. Graham and Copland. Twentieth-century dance was dotted with memorable partnerships between musicians and choreographers that wrought magical, full-bodied, brilliant works.
Today's composer-dancemaker duos, though, have gone in a decidedly different direction. In ever-growing numbers, mainstream musicians are this century's dance collaborators. Sufjan Stevens has aligned himself with New York City Ballet's Justin Peck; Bon Iver's brought his signature indie folk to Minnesota contemporary troupe TU Dance; and even Sia's getting in on the act, working with Akram Khan on a dance theater piece premiering this summer.
What is it that's drawing pop artists to the dance floor?
Patricia Delgado is diving into projects she never imagined. Photo by Rachel Papo
When the former Miami City Ballet principal Patricia Delgado retired last spring, at age 34, she had made few plans for the future. She knew she was moving to New York City to be with her boyfriend of several years (now fiancé), the extremely busy young choreographer Justin Peck. And she knew she wanted to keep dancing, though going to college was another option she was considering.
Question: What do you get when you combine a dreamy real-life dance couple, hundreds of balloons, a buzzy dance filmmaker and a quietly haunting song from indie rock band The National?
Answer: A music video that captures all our unfulfilled middle school dance dreams.
The National's "Dark Side of the Gym" features Justin Peck and former Miami City Ballet principal Patricia Delgado (one of ballet's most adorable couples) dancing in a gym full of multicolored balloons. (And yes, we just added "dance in a room full of balloons" to our bucket list, thanks.)