7 Shows Worth Penciling in This February
New takes on familiar tales and multigenerational reflections on common struggles seize center stage this month. Here’s what has us intrigued.
New takes on familiar tales and multigenerational reflections on common struggles seize center stage this month. Here’s what has us intrigued.
Jennifer Archibald’s new ballet Guess Who’s Coming to Dinner, inspired by the 1967 film, premieres at Richmond Ballet November 1-6.
Jennifer Archibald’s professional roles almost mirror the breadth of the dance field itself. A Canadian now based in New York City, she runs her own dance company and its ArchCore40 Dance Intensives; is a guest artist at several universities and teaches at the David Geffen School of Drama at Yale University; has commercial clients like […]
At a moment when our field feels ripe for reinvention, the artists on our annual list of dancers, choreographers and companies poised for a breakout year are brimming with possibilities. Here they are: the 25 movers, makers and multi-hyphenates we believe are shaping the dance world of tomorrow. Keerati Jinakunwiphat Jayme Thornton For Keerati Jinakunwiphat, […]
Feminist takes on The Graduate and The Godfather, international collaborations and a whole lot of flamenco. The shows we’re most excited to see this March are all about unexpected takes on familiar ideas. The Roadless Road MELBOURNE The 16th-century Chinese novel Journey to the West recounts a Chinese monk’s pilgrimage to India in search of […]
I spend a lot of time reflecting on the direction dance is heading. How do we chart the trajectory of our field? Simple: Through the choices we make when crafting our seasons, the works and choreographers we invite to be part of our repertoire. Fostering the creation of new art is the most important responsibility […]
A Broadway luminary and a postmodern darling bring their talents to ballet, a music video maven turns to the concert stage, and a contemporary choreographer gets soulful with Aretha Franklin. Our editors’ must-sees this May are all about the unexpected. A Late Commission Tanowitz in rehearsal at NYCB Erin Baiano, Courtesy NYCB NEW YORK CITY […]
Let me start with a confession: Growing up, I was the type of dancer who believed that there was only one kind of real dance: Ballet! Everything else was for the unchosen ones; other dances were fabricated by humans for the large masses who were not selected by Terpsichore. Dance was human. Ballet was divine. […]
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