Maggie Kudirka. Photo by Dancers Care Foundation/Andrew Holtz

Meet the "Bald Ballerina" Fighting Breast Cancer

Maggie Kudirka was just beginning her ballet career with the Joffrey Concert Group in New York when she discovered an ache and a knot in her sternum that would not go away. It became excruciating.

The company physical therapist gave her exercises and massages to assuage the pain. "I just thought it was a muscle mass…we were doing a lot of partnering, but it didn't get better," she says.

Months later, as her first season was ending, she found a doctor to take a look. It took a few appointments to get the diagnosis because, at 23, Kudirka was not in the risk group for breast cancer. But that's what the lump was. Within weeks she was in treatment for stage 4 metastatic breast cancer, meaning it had spread to other parts of her body and was incurable.


After a double mastectomy and the start of chemotherapy, Kudirka was advised to cut her hair so it wouldn't fall out in clumps on her pillow. She took the plunge and had it shaved. Bald Ballerina was born.

Kudirka was determined to share her treatment journey through a blog and other social media and it grew from there. One part of Bald Ballerina raises funds to cover the dancer's ever-growing medical costs, which now surpass $600,000, even with insurance.

But aside from helping pay expenses, Bald Ballerina's larger mission is awareness. "I want people to know that no one is immune. Anyone can get breast cancer," she says. "I want young girls to know they're in charge of their bodies and if they feel something is not right they should be able to ask for help and get what they need."

That means it's never too early to start teaching young girls to do breast self exams. "They should do it in the shower every day and get to know their bodies, so they can realize when something is wrong," Kudirka says.

She works with Starbound National Talent Competition, sharing her story and traveling the country teaching ballet master classes; in return, Starbound raises funds for cancer treatment and research. Kudirka recently visited the Capezio store in New York, where she shared her story for Breast Cancer Awareness Month.

Performing at Starbound Finals

She still spends one day every three weeks at Mercy Medical Center in Baltimore for chemotherapy. In between, she continues to take class and perform when she's able, dropping in for classes at Towson University, her alma mater, or other local studios near her Ellicott City, Maryland, home.

She is in the midst of producing her fourth "No One Can Survive Alone" fundraising concert, scheduled for January 14 at Howard Community College's Smith Theater. Proceeds will contribute to her medical expenses. Dancer friends like Adrienne Canterna of Bad Boys of Ballet; Houston Ballet's Derek Dunn; Jon Ole Olstad, formerly of Netherlands Dans Theater; alums and students from Edna Lee Dance Studio and many others have signed on.

Kudirka says, "Anyone can get cancer at any age. Just because I was fit and healthy, dancing every day, doesn't mean I couldn't get cancer. That's my message to other young girls and women."

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Courtesy Ava Noble

Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival

Now more than ever, the students of USC Glorya Kaufman School of Dance are embodying their program's vision: "The New Movement."

As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. While many schools have had to cancel events or scale them back to live-from-my-living-room streams, USC Kaufman has embraced the situation and taken on impressive endeavors, like expanding its online recruitment efforts.

November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. All semester long, they've rehearsed via Zoom from their respective student apartments or hometowns. And they haven't solely been dancing. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival.

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