Maggie Kudirka. Photo by Dancers Care Foundation/Andrew Holtz
Maggie Kudirka was just beginning her ballet career with the Joffrey Concert Group in New York when she discovered an ache and a knot in her sternum that would not go away. It became excruciating.
The company physical therapist gave her exercises and massages to assuage the pain. "I just thought it was a muscle mass…we were doing a lot of partnering, but it didn't get better," she says.
Months later, as her first season was ending, she found a doctor to take a look. It took a few appointments to get the diagnosis because, at 23, Kudirka was not in the risk group for breast cancer. But that's what the lump was. Within weeks she was in treatment for stage 4 metastatic breast cancer, meaning it had spread to other parts of her body and was incurable.
After a double mastectomy and the start of chemotherapy, Kudirka was advised to cut her hair so it wouldn't fall out in clumps on her pillow. She took the plunge and had it shaved. Bald Ballerina was born.
Kudirka was determined to share her treatment journey through a blog and othersocialmedia and it grew from there. One part of Bald Ballerina raises funds to cover the dancer's ever-growing medical costs, which now surpass $600,000, even with insurance.
But aside from helping pay expenses, Bald Ballerina's larger mission is awareness. "I want people to know that no one is immune. Anyone can get breast cancer," she says. "I want young girls to know they're in charge of their bodies and if they feel something is not right they should be able to ask for help and get what they need."
That means it's never too early to start teaching young girls to do breast self exams. "They should do it in the shower every day and get to know their bodies, so they can realize when something is wrong," Kudirka says.
She works with Starbound National Talent Competition, sharing her story and traveling the country teaching ballet master classes; in return, Starbound raises funds for cancer treatment and research. Kudirka recently visited the Capezio store in New York, where she shared her story for Breast Cancer Awareness Month.
Performing at Starbound Finals
She still spends one day every three weeks at Mercy Medical Center in Baltimore for chemotherapy. In between, she continues to take class and perform when she's able, dropping in for classes at Towson University, her alma mater, or other local studios near her Ellicott City, Maryland, home.
She is in the midst of producing her fourth "No One Can Survive Alone" fundraising concert, scheduled for January 14 at Howard Community College's Smith Theater. Proceeds will contribute to her medical expenses. Dancer friends like Adrienne Canterna of Bad Boys of Ballet; Houston Ballet's Derek Dunn; Jon Ole Olstad, formerly of Netherlands Dans Theater; alums and students from Edna Lee Dance Studio and many others have signed on.
Kudirka says, "Anyone can get cancer at any age. Just because I was fit and healthy, dancing every day, doesn't mean I couldn't get cancer. That's my message to other young girls and women."
Devon Teuscher performing the titular role in Jane Eyre. Photo by Gene Schiavone, Courtesy ABT
Story ballets that debut during American Ballet Theatre's spring season at the Metropolitan Opera House are always the subject of much curiosity—and, sometimes, much debate. Cathy Marston's Jane Eyre was no different. The ballet follows the eponymous heroine of Charlotte Brönte's novel as she grows from a willful orphan to a self-possessed governess, charting her romance with the haughty Mr. Rochester and the social forces that threaten to tear them apart.
While the ballet was warmly received in the UK when Northern Ballet premiered it in 2016, its reception from New York City–based critics has been far less welcoming. A group of editors from Dance Magazine and two of our sister publications, Dance Spirit and Pointe, sat down to discuss our own reactions.