A native of Floyds Knobs, Indiana, Madeline studied ballet at Southern Indiana School for the Arts and was later introduced to modern dance by Bill Evans. While completing her BFA in Dance Performance and Choreography at Ohio University's Honors Tutorial College, she was cast in a historical reconstruction of Alwin Nikolais' Noumenon celebrating the 100th anniversary of his birth. As an avid dance videographer and editor, she has worked on video projects for Bates Dance Festival and the Regina Klenjoski Dance Company in Southern California. She later served as a marketing and education manager for Lar Lubovitch Dance Company and is a former assistant editor—research for DanceMedia's various publications. She is currently the managing editor of Dance Magazine and Pointe.
PBS' third annual "Broadway's Best" series starts tonight, and this year's edition is a treat for dance lovers. The 2019 lineup features five shows: three are Broadway musicals, one's a West End play and the fifth is a taping from The Public Theater's Free Shakespeare in the Park, with movement by a big-name choreographer.
Each Friday in November at 9 pm Eastern on PBS, you can experience a live taping of a different show—and the choreographic talents on display don't disappoint. (Pro tip: If you have the PBS Passport app, you don't have to wait a week between performances. Members can stream all five starting November 1.)
Here's what's airing:
Jennifer Kahn knew the theater industry could do better. As a professional stage manager for 17 years she worked on regional, off-Broadway and Broadway shows. Nearly each time a show closed, something unsettling happened: "I would watch them throw away our shows. All of the beautiful artwork by my friends in the paint shop would go in the trash." The elaborate backdrops? Gone.
But she had an idea: What if the material used in the backdrops and legs could be upcycled into something new? And what if theater lovers could literally keep a piece of a beloved show?
The hotly-debated Michael Jackson biomusical is back on. Not that it was ever officially off, but after its pre-Broadway Chicago run was canceled in February, its future seemed shaky.
Now, the show has secured a Broadway theater, with previews starting July 6 at the Neil Simon Theater.
Watch any performance by Alvin Ailey American Dance Theater, and it's impossible to deny the level of passion onstage.
But offstage, just past the wings, there's another woman who's passionately at work, clad in black and wearing a headset: Kristin Colvin Young, the company's production stage manager.
After studying dance and sociology at Mount Holyoke College, she joined the company in 2000, as assistant stage manager, and has been an integral part of the Ailey family ever since. While Young's job involves the responsibilities that immediately come to mind when you think of stage management—like calling the lights and sound during shows—her role encompasses everything from prepping casting inserts for programs to finalizing rehearsal schedules to giving preshow audience announcements as the "Voice of God."
During a recent tour stop in Copenhagen, Denmark, Young documented what a typical performance day entails.
If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
With so much dance in pop culture these days—from TV shows like "Fosse/Verdon" and "Pose" to the resurgence of movie musicals to movement-rich music videos—it's not surprising that the entertainment industry has decided to tip its hat to dance.
This week, plans for a Los Angeles–based Dance Hall of Fame were announced.
When you hear names like Maria Kochetkova, Sutton Foster and Robbie Fairchild, you immediately picture flashes of them as the fully-formed, phenomenal performers they are today.
But even when they were kids, they had a glimmer of their future star power, giving a glimpse of what was to come. Thankfully for Instagram, we've got the pictures and home videos to prove it.
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Working in corporate America can be a grind, so, for many, vacation is a welcome opportunity to relax and unwind. But for Jane Collier, it's a chance to ramp up her ballet training.
Though she's based in Chicago, where she works in global sourcing for Walgreens Boots Alliance, over the last several years she's attended summer intensives at American Ballet Theatre in New York City, the Bolshoi Ballet Academy in Moscow and, most recently, the Royal Danish Ballet in Copenhagen.
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you're seeking an extra dash of inspiration to start the new season on the right—dare we say—foot, look no further than dance documentaries.
Starting August 23, OVID, a streaming service dedicated to docs and art-house films, is adding eight notable dance documentaries to its library. The best part? There's a free seven-day trail. (After that, subscriptions are $6.99 per month or $69.99 annually.)
From the glamour of Russian ballet stars to young dancers training in Cuba to a portrait of powerhouse couple Carmen de Lavallade and Geoffrey Holder, here's what's coming to a couch near you:
Just last week, SIX: The Musical—a new show, about the six wives of Henry VIII, that's seen wild success in the UK—announced it's officially coming to Broadway. Yes, it really is time for a pop-infused musical that delivers the skinny on the women whose fates read bluntly as: divorced, beheaded, died, divorced, beheaded, survived.
But before previews start February 13, 2020, SIX is continuing its out-of-town tryouts with a surprising twist: It will play aboard several Norwegian Cruise Line ships, beginning with the Norwegian Bliss September 1.
A documentary about famed performer Rita Moreno is in the works for PBS' American Masters series, and with Lin-Manuel Miranda on board as an executive producer, we're doubly excited. Slated for a 2020 release, Rita Moreno: The Girl Who Decided to Go for It will delve into the life of the Puerto Rican actress, singer and dancer.
At 87, she's showing no signs of slowing down—for starters, her Netflix show, "One Day at a Time," was renewed by Pop TV earlier this summer. Moreno's response? To retweet this post of her—doing what else but—dancing.
Back when he was a living in a dorm as an international student at San Francisco Ballet School, Benjamin Freemantle developed a new skill: cutting hair. "Most of us didn't have the financial means to go out and get a San Francisco haircut," he says. So he started cutting his fellow dancers' hair and his own.
"I actually kinda lied to my friend and told him I'd done it before," admits Freemantle, with a laugh. "But it turned out really well!"
As Dance Magazine editors, we admittedly spend more time than we'd like sifting through stock photography. Some of it is good, more of it is bad and most of it is just plain awkward.
But when paired with the right caption, those shots magically transform from head-scratchers to meme-worthy images that illustrate our singular experience as dancers. You can thank the internet for this special salute to dancer moods.
Last week, I attended a show I'd been eagerly anticipating: Dragon Spring Phoenix Rise at The Shed, a brand-new performance venue in New York City. Not only was I looking forward to Akram Khan's choreography (not to mention a sword-wielding PeiJu Chien-Pott and remixes of Sia's music), but I was anxious to get a taste of The Shed's ambitious inaugural season.
Despite the slick marketing and big names involved, Dragon Spring fell short, with its cheesy dialogue, disjointed pacing and problematic narrative.
But something that evening bothered me far more than what was happening onstage.
Being coached by a treasure like former Kirov prima Irina Kolpakova is an experience most dancers only dream of. But company members at American Ballet Theatre have been the lucky beneficiaries of her wisdom since 1990. Thanks to Instagram, where pros like Gillian Murphy and James Whiteside share snippets of their sessions with Kolpakova, any ballet lover can be a fly on the wall during rehearsals with the famed ballet mistress.
Last night's Tony Awards, (aka James Corden's three-hour attempt to persuade TV-streaming-binge-watchers to put down the remote and see some live theater, for gosh sake) had a bit of everything: wisdom from celebrated actors, cheeky laughs, political quips, historical victories and, our favorite, incredible performances. Unsurprisingly, Tony frontrunner Hadestown took home eight awards, including Best Musical, Best Direction for a Musical and Best Featured Actor in a Musical.
Relive the night with some of our favorite moments from Broadway's big night, in order of appearance.
When you're talking about a style as distinct as Fosse, a flick of the wrist or a roll of the hip is never just that. It takes intention, finesse, exactness and, of course, that characteristically smoldering sex appeal.
Now that the finale of "Fosse/Verdon" has aired, FX is taking viewers behind the scenes to reveal how the dancing came together—and it wasn't just a quick reconstruction.
Daphne Lee was dancing with Collage Dance Collective in Memphis, Tennessee, when she received two difficult pieces of news: Her mother had been diagnosed with multiple myeloma cancer, and her father had Parkinson's disease, affecting his mobility and mental faculties.
The New Jersey native's reaction: "I really need to move home."
Memorial Day is notoriously one of Chicago's bloodiest weekends. Last year, 36 people were shot and seven died that weekend. In 2017 and 2016, the number of shootings was even higher.
When Garley "GiGi Tonyé" Briggs, a dance teacher and Chicago native, started noticing this pattern, she was preparing her second annual Memorial Day workshop for local youth.
The event's original aim was simple: "I wanted the youth of Chicago to have somewhere they could come and learn from different dancers and be off the streets on the South Side on this hot holiday," she says.
"Life can be so rich and wonderful when we step off the logical path and embark on eccentric adventures."
For a sentiment that sounds like it belongs in a fortune cookie, you'd never expect that Steve Young is actually referencing a subset of offbeat, secret musicals: Shows about toilets and tractors and dog food and cars. Shows with big names, like Bob Fosse attached, and even bigger Broadway-style budgets. Shows that were never seen by the public.
These musicals are the subject of Bathtubs Over Broadway, the Tribeca Film Festival–winning documentary that begins streaming on Netflix today.
