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We Need Liz Lerman Now More Than Ever
In these times that are scary for artists and immigrants, it's good to be reminded that dance does not have to ignore politics. Maybe that's why more than one organization recently decided to honor Liz Lerman, an American choreographer known for working toward issues of social justice. This summer Lerman will receive both the Jacob's Pillow Award (a $25,000 prize) and American Dance Festival's Distinguished Teaching Award.
As Editor in Chief Jennifer Stahl pointed out the day after last fall's presidential election, dance has a long history of responding to social issues, and Lerman is part of that history.
At a time when dance artists are seeking ways to engage in the questions of the day, Lerman provides a roadmap. Passionate about issues of social justice, she's found ways to incorporate social issues, from poverty to environmental protection, into her dances. These are not simple "message" dances but fully layered works that care about craft as much as statement.
One of Lerman's persistent questions is, Who gets to dance? She founded Liz Lerman's Dance Exchange in 1976 to explore this and other questions. Six years ago she left the company to spend more time on freelance projects. (The Dance Exchange, as it is now called, is still going strong.)
She has activated a wide range of populations toward movement, including senior citizens, ship builders, construction workers, clergy members and classical musicians. For each project she engages different communities with a different purpose. In a press release, Jacob's Pillow director Pamela Tatge said about Lerman, "She has paved the way for a whole generation of dance makers to discover the power of social change through community engagement."
Last year Lerman was named the first Institute Professor at the Herberger Institute for Design and the Arts at Arizona State University, where she focuses on creative research, connecting dance to physics, history and other areas. One of Lerman's guiding ideas, as expressed in an ASU promotional video, is: "Turn discomfort to inquiry." It's challenging advice, but useful—and inspiring—for dance artists who don't want to separate their art from their response to what's going on in our government. What she calls "art at work" is art, or dance, helping to bring crucial social issues into daily lives. As Leah Cox, dean of ADF, says, "Lerman teaches people how dance operates as a way of understanding the world."
Season 2 of World of Dance is almost here! The new season officially kicks off on Tuesday on NBC, and it's bringing a whole new crew of talented dancers with it (plus, some old favorites). Dance pro judges Jennifer Lopez, Derek Hough and Ne-Yo are back, too, with Jenna Dewan serving as the show's host.
Obviously we'll be watching, but just in case you're not completely sold, here's why you're not going to want to miss out:
JLo Might Be Performing
Earlier this week, JLo (who serves as the show's executive producer) posted this insane promo clip to her Instagram. Dancing to a mashup of Cardi B's "Bodak Yellow" and her new single "Dinero," JLo reminded us all of her dance skills while also leading us to believe she might just hit the stage herself for a performance.
Travis Wall draws inspiration from dancers Tate McCrae, Timmy Blankenship and more.
One often-overlooked relationship that exists in dance is the relationship between choreographer and muse. Recently two-time Emmy Award Winner Travis Wall opened up about his experience working with dancers he considers to be his muses.
"My muses in choreography have evolved over the years," says Wall. "When I'm creating on Shaping Sound, our company members, my friends, are my muses. But at this current stage of my career, I'm definitely inspired by new, fresh talent."
Wall adds, "I'm so inspired by this new generation of dancers. Their teachers have done such incredible jobs, and I've seen these kids grown up. For many of them, I've had a hand in their exposure to choreography."
A few weeks ago, American Ballet Theatre announced the A.B.T. Women's Movement, a new program that will support three women choreographers per season, one of whom will make work on the main company.
"The ABT Women's Movement takes inspiration from the groundbreaking female choreographers who have left a lasting impact on ABT's legacy, including Agnes de Mille and Twyla Tharp," said artistic director Kevin McKenzie in a press release.
Hypothetically, this is a great idea. We're all for more ballet commissions for women. But the way ABT has promoted the initiative is problematic.
On the occasion of its 70th anniversary, the Ballet Nacional de Cuba tours the U.S. this spring with the resolute Cuban prima ballerina assoluta Alicia Alonso a the helm. Named a National Hero of Labor in Cuba, Alonso, 97, has weathered strained international relations and devastating fiscal challenges to have BNC emerge as a world-class dance company. Her dancers are some of ballet's best. On offer this time are Alonso's Giselle and Don Quixote. The profoundly Cuban company performs in Chicago May 18–20, Tampa May 23, Washington, D.C., May 29–June 3 and Saratoga, New York June 6–8.
Considering we practically live in our dance clothes, there's really no such thing as having too many leotards, tights or leggings (no matter what our mom or friends say!). That's why we treat every sale as an opportunity to stock up. And thanks to the holiday weekend, you can shop all of your dancewear go-tos or try something totally new for as much as 50% less than the usual price.
Here are the eight sales we're most excited about—from online options to in-store retailers that will help you find the perfect fit. Happy Memorial Day (and shopping)!
Now through Monday, Danskin's site will automatically take 25% off your entire purchase at checkout. Even new items like their Pintuck Detail Floral Print Sports Bra and Pintuck Detail Legging (pictured here) are fair game.
"The sun may be shining brightly, but we are not in a very sunny mood today!" said New York State assemblywoman Linda Rosenthal during yesterday's rally for the Artists of Ailey.
The dancers and stage crew are demanding increased wages and more comprehensive benefits, what they have termed "reaching for the standard" and "fair wages."
Pain is an inevitable part of a dancing life and dancers have a high tolerance for it, according to Sean Gallagher, a New York physical therapist whose practice includes many professional performers. "So when dancers complain, it really means something," he says.
But women and men experience pain differently, and tend to be treated for it differently as well. Female dancers need to understand those differences before they go to a doctor, so they can make sure they get treated promptly and effectively.
Rebecca Warthen was on a year-long assignment with the Peace Corps in Dominica last fall when a storm started brewing. A former dancer with North Carolina Dance Theatre (now Charlotte Ballet) and Columbia City Ballet, she'd been sent to the Caribbean island nation to teach ballet at the Dominica Institute of the Arts and in outreach classes at public schools.
But nine and a half months into her assignment, a tropical storm grew into what would become Hurricane Maria—the worst national disaster in Dominica's history.
Sidra Bell is one of those choreographers whose movement dancers are drawn to. Exploring the juxtaposition of fierce athleticism and pure honesty in something as simple as stillness, her work brings her dancers to the depths of their abilities and the audience to the edge of their seats.