Dancers & Companies

The Story Behind Those Dance Photography Instas You're Obsessed With

Photo by Jessica Zollman (@jayzombie) via #CamerasandDancers

If you're like us, your Instagram feed is probably oversaturated with gorgeous dance shots of your favorite performers. (Not complaining!) But search for "#CamerasandDancers," and you'll find dance photography that stands out from the crowd.

#CamerasandDancers in Washington Square Park, PC Dave Krugman (@davekrugman)


That's because #CamerasandDancers founder Jacob Jonas has created a one-of-a-kind Instameet (an in-person gathering of Instagram users) where dancers and photographers collaborate on shots that expand their craft and produce breathtaking results. Two years and 30 events later, Jonas has built a huge following for his own troupe, Jacob Jonas The Company—and given dance huge visibility within the Instagram community.

His magic formula? A talented dance company (he's worked with Paul Taylor Dance Company, The Royal Ballet, Pilobolus and other top troupes, and often uses his own company), strong photographers with large social followings, and a gorgeous setting—like Jacob's Pillow, the Santa Monica Pier or the Kennedy Center. They shoot for three or four hours, and then distribute the content they've created on Instagram.

Behind the scenes of #CamerasandDancers in Philadelphia, PC Bastiaan Slabbers (@bastiaan_slabbers)

Not only is #CamerasandDancers giving dance more visibility and providing dancers with unique shots for their portfolios, but it's helping institutions sell tickets: Sometimes Jonas partners with the venues (like The Music Center and Jacob's Pillow) who are presenting the company he's working with, helping to push ticket sales by reaching online audiences that the institutions and companies themselves may not have access to.

It's a win-win for everyone involved, but especially Jonas, who has managed to propel his fledgling company into the spotlight and establish himself as a bonafide Instagram influencer.

PC Elena Fetisova

Where can you watch Giselle, Romeo and Juliet, The Nutcracker, Coppélia and Le Corsaire all in one place? Hint: It also has extra-buttery popcorn.

Yep, it's your local movie theater. Starting this weekend, theaters across the country will be showing Bolshoi Ballet productions of classical and contemporary story ballets.

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Popular

By Rick Tjia, Dance Talent Scout, Cirque du Soleil Casting

The dancers file into an audition room. They are given a number and asked to wait for registration to finish before the audition starts. At the end of the room, behind a table and a computer (and probably a number of mobile devices), there I sit, doing audio tests and updating the audition schedule as the room fills up with candidates. The dancers, more nervous than they need to be, see me, typing, perhaps teasing my colleagues, almost certainly with a coffee cup at my side.

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Danielle Peazer, photo by David Salafia

When commercial dancer Danielle Peazer took on an ambassadorial role with Reebok in early 2016, she didn't realize the gig would also lead to a career shift. But while traveling with and teaching workshops for the brand, the idea for DDM (Danielle's Dance Method) Collective started to take shape.

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Popular
ABT's James Whiteside and Isabella Boylston. Photo via Instagram

Last night, American Ballet Theatre held its annual Fall Gala at the David H. Koch Theater in New York City. To celebrate ABT's artistic director Kevin McKenzie's 25 years of leadership, dancers from ABT's company, apprentices, studio company members and students from the Jaqueline Kennedy Onassis School took to the stage in Jessica Lang's The Gift, Alexei Ratmansky's Songs of Bukovina and Christopher Wheeldon's Thirteen Diversions.

But we also love a good behind-the-scenes glimpse—especially when designer gowns are involved. And the dancers gave us plenty of glam looks to obsess over once the curtains closed. Ahead, see our favorite moments from gala straight from the dancers.

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Arolyn Williams and Chase O'Connell in Fox on the Doorstep, PC Beau Pearson

Last week Ballet West breezed into New York City's Joyce Theater from Salt Lake City. The dancers are excellent—especially the women (what else is new). The company brought five pieces including works by Gerald Arpino, Val Caniparoli and resident choreographer Nicolo Fonte.

Arpino's last work, made in 2004, is a duet called RUTH, Ricordi per Due ("remembrance for two"). It's about a man haunted by the memory of the woman he loved. Christopher Ruud is strong and sensitive as the man, and Arolyn Williams is riveting as the ghost of his beloved.

Val Caniparoli energizes his dancers with juicy movement, and always sticks to his theme. (He doesn't ramble, and let's face it, long rambling choreography is a problem these days.) In his premiere for Ballet West, Dances for Lou, he takes on the music of Lou Harrison, a composer known for his Eastern sounds and rhythms.

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Sidi Larbi Cherkaoui's Pictures at an Exhibition, performed by The Royal Ballet of Flanders.
Photo by Filip VanRoe, courtesy Marquee

Your Saturday nights are about to go from "Netflix and chill" to "Marquee and chill." (Okay, maybe we'll need to coin a new phrase).

But seriously, the new streaming app Marquee Arts TV lets you curl up with Bolshoi Ballet's Swan Lake, Sylvie Guillem dancing Mats Ek's solo Bye, a dance film by Cullberg Ballet called 40 M Under, or a documentary about Alonzo King and LINES Ballet. Marquee unlocks a world of digital arts: dance, theater, opera, music, documentaries and film shorts that you can stream directly to your TV or mobile device.

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News
Simone Forti. Photo by Ian Douglas, Courtesy Danspace.

When Simone Forti moved from California to New York City in 1960, she brought with her the improvisational approach of Anna Halprin. As one of the first five students in Robert Dunn's John Cage–inspired composition course (that led to Judson Dance Theater), she was a magnet for two others in that class: Yvonne Rainer and Steve Paxton. This month the three reunite for Tea for Three, an evening of moving and talking at Danspace Project, Oct. 26–28. It's a chance to see how dance mavericks grow and change and mellow. Forti will also give "Body Mind World" workshops Oct. 19–20. danspaceproject.org.

Health & Body
Nathan Sayers

When you're dancing for what feels like eight days a week, it takes more than just stretching to put your body back in order. You need a good rub down. Unfortunately, most of us don't exactly have the money to afford an on-call personal masseuse.

The solution: Self-massage, with foam rollers, lacrosse balls, elbows and anything else that can help loosen up your muscles. We dug into Dance Magazine's archives to find the best pieces of advice we've published on the topic. Follow these rules to get what you, ahem, knead out of self-massage.

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