In His Spare Time, Principal Dancer Benjamin Freemantle Gives Free Haircuts to San Francisco's Homeless
Back when he was a living in a dorm as an international student at San Francisco Ballet School, Benjamin Freemantle developed a new skill: cutting hair. "Most of us didn't have the financial means to go out and get a San Francisco haircut," he says. So he started cutting his fellow dancers' hair and his own.
"I actually kinda lied to my friend and told him I'd done it before," admits Freemantle, with a laugh. "But it turned out really well!"
Erik Tomasson, Courtesy SFB
To this day, Freemantle, who's now a principal at San Francisco Ballet, continues to do his own hair, in addition to some SFB School students' and company members'. Purely self-taught, he has beefed up his skills over the years thanks to tutorials on YouTube.
But Freemantle's hair-cutting hobby has grown into more of a mission: He's expanded his clientele, offering free cuts to San Francisco's homeless community.
"It started when I had an apartment, like a block from the ballet, and every day there was this homeless man who lived in my alley," says Freemantle. The two became friendly, saying hello to each other. "Then one day I invited him to come up, take a shower and have a beer—just relax out of the cold." Freemantle offered his neighbor a haircut and a shave, and he accepted. "I think it meant a lot to him that someone saw him and wanted to help—even if it wasn't money or food, that's what I could offer at the time."
Freemantle in McIntyre's Your Flesh Shall Be a Great Poem
Erik Tomasson, Courtesy SFB
So Freemantle thought about how he could build on this experience. "I had the idea—it was a little scary—to go into the Tenderloin, which is our homeless district," he says. He brought a stool, his haircutting set—basic shears from Amazon, combs, a brush and a spray bottle—and a sign that read "Need a Haircut?"
"I cut five people's hair my first day, and the next week I came back again." Freemantle continues to go to the Tenderloin sporadically as his schedule allows.
On a recent visit, he says he ran into some of the people whose hair he'd previously cut. "They were really thankful, just saying how they got a job interview or they're working at Burger King now," says Freemantle, noting how they "felt a little more welcomed back into society."
Reflecting on the experience, he says, "It's reinstilled that they're human—they're someone's daughter, someone's son, niece, nephew, you know? There's a history there and we don't know it." Given San Francisco's large homeless population, it's an especially relevant message. "People tend to throw them to the side without a care, and I don't think that's the way to move forward."
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.