7 Up-and-Coming Black Dance Artists Who Should Be On Your Radar
Jumatatu Poe's Let 'im Move You. PC Theo Cote, via 18th Street Arts Center
Black History Month offers a time to reflect on the artistswho have shaped the dance field as we know it today. But equally important is celebrating the black artists who represent the next generation. These seven up-and-comers are making waves across all kinds of styles and across the country:
Choreographer Davalois Fearon brings high energy and tenacious virtuosity to all her work. Her upcoming Time to Talk unpacks Fearon's research around systemic racism, racial identity, American history and dance history. I've had the opportunity to dance with Fearon as part of Skeleton Architecture, a collective of 20 black women and gender non-conforming artists invested in collective improvisation.
Kara Jenelle is a African and dance hall showstopper currently based in Los Angeles. She has danced for artists like Pharrell Williams, Jidenna, Wiz Kid, Will Smith, Fantasia, Lil Jon and more. You can catch her funky-fabulous choreography in videos like "Panda" and "Shake Body."
Amanda Morgan is a corps de ballet member of Pacific Northwest Ballet who is vocal about how important it is for brown girls to see themselves onstage. She's danced leading roles in Jerome Robbins' West Side Story Suite and Dani Tirrell's Suckle.
Tendayi Kuumba, an Atlanta native turned Brooklynite, is currently bringing her dynamic, earthy movement quality to the world while on tour with Urban Bush Women. She also shines in her work as a singer/songwriter, offering a vintage and jazzy vibe that works its way into your bones.
You can try to catch Tyke the Entertainer jammin' somewhere on the NYC subways. You don't know where Tyke and his crew may pop up, but catching them in action is always a surprising treat. What is most impressive is his ability to flip, turn, fly and slide around poles without hitting passengers. His fluidity and control are mesmerizing.
Bronx-based NIC Kay is a performing artist working on transdisciplinary projects throughout the United States and internationally. Their recent autobiographical work Lil Black combines vogue, ballroom, butoh and praise dance to respond to their queerness and gender nonconformity. Up next, NIC Kay is off to Germany to participate in the Queer B-Cademy: Teachings of Post-Academic Knowledge.
Philadelphia and New York-based performer and choreographer Jumatatu Poe's recent Let 'im Move You highlights his research around J-Sette. Poe draws from myriad of styles including J-Sette, African, modern and voguing to create a thoughtful, inclusive and celebratory viewing experience. During this year's American Realness Festival, Poe had audiences up and dancing. The journey was documented with #_move_you_ on Instagram.
Devon Teuscher performing the titular role in Jane Eyre. Photo by Gene Schiavone, Courtesy ABT
Story ballets that debut during American Ballet Theatre's spring season at the Metropolitan Opera House are always the subject of much curiosity—and, sometimes, much debate. Cathy Marston's Jane Eyre was no different. The ballet follows the eponymous heroine of Charlotte Brönte's novel as she grows from a willful orphan to a self-possessed governess, charting her romance with the haughty Mr. Rochester and the social forces that threaten to tear them apart.
While the ballet was warmly received in the UK when Northern Ballet premiered it in 2016, its reception from New York City–based critics has been far less welcoming. A group of editors from Dance Magazine and two of our sister publications, Dance Spirit and Pointe, sat down to discuss our own reactions.